Red Right Hand
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- 3,99 €
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- 3,99 €
Beschreibung des Verlags
NOMINATED FOR THE 2017 ANTHONY AWARD FOR BEST NOVEL
When the good guys can't save you, call a bad guy.
A family's holiday video goes viral when it captures the moment of a terrorist attack...In the background, it reveals a witness long thought dead.
The organisation the man agreed to testify against will stop at nothing to silence him, but Special Agent Charlie Thompson won't let that happen.
Charlie turns to Michael Hendricks. He has history with those threatening the witness's life and getting involved will lead him right to them. All he has to do is enter an active crime scene and find someone with good reason to hide. With his skills, he figures it'll be easy.
But nothing about this story is what it seems...
Praise for THE KILLING KIND
'Roaring tough guy fun' The Sunday Times
'A one-sitting, extravagant, mind-blowing reading pleasure' David Baldacci
'Pure joy' New York Times Book Review
PUBLISHERS WEEKLY
Near the start of Holm's explosive and timely sequel to 2015's The Killing Kind, a tourist taking photos with his daughter's cell phone manages to capture not only a terrorist attack on the Golden Gate Bridge but also the image of an older man thought long dead by both the FBI and the shadowy criminal organization known as the Council. Frank Segreti gave evidence against the Council seven years earlier and allegedly got blown up for his troubles. Now he's back, and FBI special agent Charlie Thompson knows that the only person who can protect him and lead her to the Council is one of the Bureau's most wanted. Enter hit man Michael Hendricks, who's been gunning to take down the Council ever since it dispatched its own hit man to take him out and his best friend got caught in the crossfire. While Charlie begins investigating a Syrian group claiming responsibility for the Golden Gate attack, Michael travels to San Francisco to find Frank amid the law enforcement mayhem. Holm expertly balances weighty issues of national security with more intimate personal losses, and makes it clear that the best stories happen in the gray area between good and evil.
