Reservation Road
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- 3,99 €
Beschreibung des Verlags
At the close of a beautiful summer day near the quiet Connecticut town where they live, the Learner family - Ethan and Grace, their children, Josh and Emma - stop at a gas station on their way home from a concert. Josh Learner, lost in a ten-year-old's private world, is standing at the edge of the road when a car comes racing around the bend. He is hit and instantly killed. The car speeds away.
From this moment forward, Reservation Road becomes a harrowing countdown to the confrontation between two very different men. The hit-and-run driver is a small-town lawyer named Dwight Arno, a man in desperate need of a second chance. Dwight is also the father of a ten-year-old boy, who was asleep in the car the night Josh Learner was killed.
In a gripping narrative woven from the voices of Ethan, Dwight, and Grace, Reservation Road tells the story of two ordinary families facing an extraordinary crisis--a book that reads like a thriller but opens up a world rich with psychological nuance and emotional wisdom. Reservation Road explores the terrain of grief even as it astonishes with unexpected redemption: powerful and wrenching and impossible to put down.
PUBLISHERS WEEKLY
"I wasn't rich, but my life was secure. That had always been its fundamental premise," observes Ethan Learner, an English professor at a small college in Connecticut. Moments later, his 10-year-old son, Josh, is killed by a hit-and-run driver, inaugurating a novel of terrible beauty that charts the progress of grief with concerto-like precision. For Ethan, his wife, Grace, and their daughter, Emma, Josh becomes both a cold absence and a constant, haunting, unfulfilled promise. For Dwight --the driver who killed Josh--the event stands as more evidence of a significantly flawed life. Dwight is no cartoon villain; with a son, an ex-wife and a history of sudden violence, he's like a lesser Ethan--a poor father who, through incompetence, has killed another man's son. Schwartz structures the book with the tautness of a thriller--Will Ethan find his son's murderer?--but this book quickly becomes much larger than a simple revenge tale. Neither does it become maudlin or forced. Ethan, Grace and Dwight all seem ruined by the boy's death, but, like three drowning people, they keep fighting for air--aided by Schwartz's strong, measured prose and exquisitely chosen metaphors (describing his now-troubled marriage, Ethan says, "Our house... a wordless, internalized diaspora... a landscape riven with fault lines"). "I want to tell this right," Ethan says several times during the course of the book. The author's first novel, Bicycle Days, gathered solid reviews but modest notice. With this effort, he seems poised to reach a break-out audience. If a story about overwhelming tragedy can be told right, this novel is--telling it with wise observation and abundant humanity. 100,000 first printing; Random House audio; author tour.
