Sabrina
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- 15,99 €
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- 15,99 €
Beschreibung des Verlags
How many hours of sleep did you get last night? Rate your overall mood from 1 to 5, 1 being poor. Rate your stress level from 1 to 5, 5 being severe. Are you experiencing depression or thoughts of suicide? Is there anything in your personal life that is affecting your duty?
When Sabrina disappears, an airman in the U.S. Air Force is drawn into a web of suppositions, wild theories, and outright lies. He reports to work every night in a bare, sterile fortress that serves as no protection from a situation that threatens the sanity of Teddy, his childhood friend and boyfriend of the missing woman. Sabrina's grieving sister Sandra struggles to fill her days waiting in purgatory. After a videotape surfaces, we see devastation through a cinematic lens, as true tragedy is distorted when fringe thinkers and conspiracy theorists begin to interpret events to fit their own narratives.
The follow-up to Nick Drnaso’s LA Times Book Prize winning Beverly, Sabrina depicts a modern world devoid of personal interaction and responsibility, where relationships are stripped of intimacy through glowing computer screens. An indictment of our modern state, Drnaso contemplates the dangers of a fake news climate. Timely and articulate, Sabrina leaves you gutted, searching for meaning in the aftermath of disaster.
PUBLISHERS WEEKLY
In this graphic novel from a rising star in the indie comics scene, a young woman vanishes, leaving behind her grieving sister and lover. But this coolly despairing narrative focuses on a character only tangentially connected to the incident: Calvin, a divorced, sleeved-blanket-wearing Air Force technician who was friends with the boyfriend in high school. When Calvin agrees to let his old friend crash at his place, he becomes the target of vague, hostile conspiracy theories spread by internet cranks and late-night radio hosts. Like Drnaso's debut, Beverly, the small, precise dramas of Midwestern suburban life are positioned against a larger canvas of contemporary paranoia, rumor-mongering, and violence. The art is characterized by simplified, blocky figures moving though meticulously measured geometric settings Drnaso wears the influence of Chris Ware on his sleeve. But these comics are much talkier; interstitial, small square panels are filled with blocks of dialogue. The result is a well-crafted, if often frustratingly distant, indie drama, as if Drnaso is reluctant to let too much messy emotion into his careful dioramas.
