So Long Sad Love
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- 15,99 €
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- 15,99 €
Beschreibung des Verlags
No matter how wrong relationships can be, there’s nothing quite like getting them right.
Every guy’s been a creep at one point or another. That’s just the way it is. Or at least, that’s what Cleo tells herself once she finds out her boyfriend might not be the man she thought he was. Is it possible to keep loving someone you’re not sure you can trust? More to the point, should you? Once the fabric of Cleo’s relationship rips at the seams, the life she had built with him—abroad and away from those closest to her—unravels right before her eyes. Yet, letting it fall to pieces as she walks away is only half the story.
So Long Sad Love swaps out the wobbly transition of weaving a new existence into being post-heartbreak for the surprising effortlessness and simplicity of a life already rebuilt. Cleo not only rediscovers her identity as an artist but uncovers her capacity to find love where she has always been most at home: with other women.
Mirion Malle dares to tell a story with a happier ending in a stunning, full-color follow-up to the multi-award nominated This is How I Disappear. Translated by Governor General Literary Award nominee Aleshia Jensen, So Long Sad Love unabashedly skips to the good part and shines a light on just how rewarding following your bliss can be.
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Malle's latest (after This Is How I Disappear) stands out for its fresh dialogue, unique character design, and realistic exploration of sexual harassment in a tight-knit community of Montreal artists. Cléo, who has blonde hair with a center strip of dark roots that grows out over the course of the story, meets Farah, a "powerhouse" artist and editor, through mutual friends at a comics convention in France. Farah compliments Cléo's art and offers to publish her. But when she learns that Cléo's boyfriend is Charles, a more successful artist (and heavy drinker), Farah gets a strange look on her face. Cléo asks around and confirms the two knew each other in grad school, but from there stories diverge: Charles claims a crush ended when he began dating another woman, and Farah was a "crazy bitch." Farah, on the other hand, remembers Charles stalking her and having to bring in school authorities to put an end to it. This is a story where women believe women, even when the revelation shakes Cléo to her core. The fallout with Charles spurs an adventure in getting to know herself, including a budding queer romance. With oversize hands and features that move around faces like subtle Picassos, Malle's illustrations are as distinctive as the storytelling. It's a savvy update on the classic notion that breaking up is hard to do.