Songs on Endless Repeat
Essays and Outtakes
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- 14,99 €
Beschreibung des Verlags
A Most Anticipated Book of 2023 from: LA Times * Boston Globe * The Millions * LitHub * Shondaland
By the New York Times bestselling author of the award-winning AFTERPARTIES comes a collection like none other: sharply funny, emotionally expansive essays and linked short fiction exploring family, queer desire, pop culture, and race
The late Anthony Veasna So’s debut story collection, Afterparties, was a landmark publication, hailed as a “bittersweet triumph for a fresh voice silenced too soon” (Fresh Air). And he was equally known for his comic, soulful essays, published in n+1, The New Yorker, and The Millions.
Songs on Endless Repeat gathers those essays together, along with previously unpublished fiction. Written with razor-sharp wit and an unflinching eye, the essays examine his youth in California, the lives of his refugee parents, his intimate friendships, loss, pop culture, and more. And in linked fiction following three Cambodian American cousins who stand to inherit their late aunt’s illegitimate loan-sharking business, So explores community, grief, and longing with inimitable humor and depth.
Following “one of the most exciting contributions to Asian American literature in recent years” (Vulture), Songs on Endless Repeat is an astonishing final expression by a writer of “extraordinary achievement and immense promise” (The New Yorker).
PUBLISHERS WEEKLY
This magnificent posthumous collection by So (Afterparties), who died in 2020, brings together the short story writer's essays and excerpts from his unfinished novel. In "Journey to a Land Free of White People," So discusses his ambivalence about the film Crazy Rich Asians, recounting the "tenderness I felt watching" a set of "wildly different" Asian characters represented on screen while criticizing the film's ending as a facile reconciliation of the "cultural contradictions" between the female protagonist's Asian American upbringing and her boyfriend's Singaporean family. "Baby Yeah," the compendium's most intimate essay, is a visceral meditation on So's struggle to cope with the suicide of a close friend from his creative writing program: "What is remembering other than revitalizing a corpse that will return to its grave?" Chapters from Straight Thru Cambotown, the novel So was working on at the time of his death, focus on a Cambodian neighborhood in Los Angeles County shaken by the sudden death of Ming Peou, a pillar of the community and organizer of its unofficial bank. So's distinctive voice blends mordant cultural criticism with a striking combination of humor, compassion, and insight. This is a bittersweet testament to an astounding talent.
