Sorrow and Bliss
A Novel
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5,0 • 1 Bewertung
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- 5,49 €
Beschreibung des Verlags
Winner of the Book of the Year (Fiction) at the British Book Awards
Shortlisted for the Women's Prize for Fiction
"Brilliantly faceted and extremely funny. . . . While I was reading it, I was making a list of all the people I wanted to send it to, until I realized that I wanted to send it to everyone I know." — Ann Patchett
The internationally bestselling, compulsively readable novel—a work of spiky, sharp, intriguingly dark comedy that combines the psychological insight of Sally Rooney with the sharp humor of Nina Stibbe and the emotional resonance of Eleanor Oliphant Is Completely Fine.
Martha Friel just turned forty. She used to work at Vogue and was going to write a novel. Now, she creates internet content for no one. She used to live in Paris. Now, she lives in a gated community in Oxford that she hates and can’t bear to leave. But she must now that her loving husband Patrick has just left.
Because there’s something wrong with Martha. There has been for a long time, an unnamed mental illness since a little bomb went off in her brain, at seventeen, leaving her changed in a way no doctor or drug could fix then and no one, even now, can explain—why can say she is so often sad, cruel to everyone she loves, why she finds it harder to be alive than other people.
With Patrick gone, the only place Martha has left to go is her childhood home, the heart of a chaotic family drama, to live with her chaotic parents, to survive without Ingrid, the sister who made their growing-up bearable, who said she would never give up on Martha, and who finally has.
It feels like the end but maybe, by going back, Martha will get to start again. Maybe there is a different story to be written, if Martha can work out where to begin.
PUBLISHERS WEEKLY
English writer Mason excels in her heartbreaking U.S. debut, an account of a woman's self-discovery amid her struggle with mental illness. Martha Russell was raised by volatile artists and as a teenager began to be affected by debilitating bouts of depression, for which she's prescribed an antidepressant. Told by a physician that it would be disastrous to get pregnant while on her medication, Martha spends the her adulthood telling her romantic partners and trying to convince herself that she doesn't want to be a mother. Martha's mental health ("Unless I inform you otherwise, at intervals throughout my twenties and most of my thirties, I was depressed," she narrates) ends her first marriage and jeopardizes the second, to longtime family friend Patrick. After Martha is finally prescribed an effective medication, she's able to see her family relationships in new light but is it too late to repair them? Martha's anecdotes, simultaneously funny and sad, are stacked with observations that alternate between brutally cutting especially when directed at her mother and at the patient and supportive Patrick and aching, as when her oblique descriptions of her sister's growing family increasingly belie her true feelings about motherhood. Witty and stark, Martha's emotionally affecting story will delight fans of Sally Rooney.
