Spill Simmer Falter Wither
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- 8,99 €
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- 8,99 €
Publisher Description
SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD 2015
LONGLISTED FOR THE GUARDIAN FIRST BOOK AWARD 2015
LONGLISTED FOR THE DESMOND ELLIOTT PRIZE 2016
WINNER OF THE SUNDAY INDEPENDENT NEWCOMER OF THE YEAR, IRISH BOOK AWARDS 2015
WINNER OF THE GEOFFREY FABER MEMORIAL PRIZE FOR FICTION
You find me on a Tuesday, on my Tuesday trip to town. A note sellotaped to the inside of the jumble-shop window: COMPASSIONATE & TOLERANT OWNER. A PERSON WITHOUT OTHER PETS & WITHOUT CHILDREN UNDER FOUR.
A misfit man finds a misfit dog. Ray, aged fifty-seven, ‘too old for starting over, too young for giving up’, and One Eye, a vicious little bugger, smaller than expected, a good ratter. Both are accustomed to being alone, unloved, outcast – but they quickly find in each other a strange companionship of sorts. As spring turns to summer, their relationship grows and intensifies, until a savage act forces them to abandon the precarious life they’d established, and take to the road.
Spill Simmer Falter Wither is a wholly different kind of love story: a devastating portrait of loneliness, loss and friendship, and of the scars that are more than skin-deep. Written with tremendous empathy and insight, in lyrical language that surprises and delights, this is an extraordinary and heartbreaking debut by a major new talent
PUBLISHERS WEEKLY
A solitary misfit opens up to his one-eyed dog in this debut novel. Ray describes himself as old (he's 57), shabbily dressed, and sketchily bearded, pitching and clomping when he walks. He first sees the dog in an animal shelter advertisement: a grisly photo of a mangled canine face. The kennel keeper says the dog attacks other dogs; its scars suggest it was used for badger hunting. Ray is familiar with abuse: his father, understanding Ray is "not right-minded," raised him in confined isolation. Ray reads, drives, and knows he's not a regular person. Following his father's death, he remains in his father's house alone until he adopts the dog he calls One Eye. When One Eye attacks another dog, incurring the owner's wrath, Ray takes One Eye on the road, traveling from one Irish village to another, sleeping in the car. By the time they return home, they have spent a year together, and their friendship is fixed. Baume's storytelling can be indirect. She never mentions Ray's name, only that he's named for a sunbeam or a sand shark. Nor does she specify Ray's impairment. As a narrator, he shows observation skills, appreciation for landscape, and awareness of fear and sadness. For One Eye, he's full of empathy. Baume's debut is notable for its rhythmic language, sensory imagery (especially visuals and smells), and second-person narrative directed at an animal. She is brutal detailing brutality, lyrical contemplating land and sea, and at her best evoking the connection between man and dog.
