Strangers I Know
A Novel
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- 3,49 €
Beschreibung des Verlags
"Durastanti casts the universal drama of the family as the sieve through which the self—woman, artist, daughter—is filtered and known." —Ocean Vuong
A work of fiction about being a stranger in your own family and life.
Every family has its own mythology, but in this family none of the myths match up. Claudia’s mother says she met her husband when she stopped him from jumping off a bridge. Her father says it happened when he saved her from an attempted robbery. Both parents are deaf but couldn’t be more different; they can’t even agree on how they met, much less who needed saving.
Into this unlikely yet somehow inevitable union, our narrator is born. She comes of age with her brother in this strange, and increasingly estranged, household split between a small village in southern Italy and New York City. Without even sign language in common – their parents have not bothered to teach them – family communications are chaotic and rife with misinterpretations, by turns hilarious and devastating. An outsider in every way, she longs for a freedom she’s not even sure exists. Only books and punk rock—and a tumultuous relationship—begin to show her the way to create her own mythology, to construct her own version of the story of her life.
Kinetic, formally dazzling, and spectacularly original, this book is a funny and profound portrait of an unconventional family that makes us look anew at how language shapes our understanding of ourselves.
PUBLISHERS WEEKLY
Durastanti's insightful and complex English-language debt examines a family's lifelong communication issues as its unnamed protagonist, an author and translator and 30-something daughter of two deaf Italian parents, explores the mysteries and myths of her life story. Her parents disagree on how they met, and divorce when the narrator is a young girl, causing her to split her childhood between Brooklyn, with her mother, and southern Italy, with her father. They don't teach her sign language, which makes communicating with them confusing or impossible, and her parents are often unstable ("It's easier to say my parents are deaf, more complicated to say they're mentally ill"). As a teen wandering down St. Marks Place, she discovers punk, prompting her to discard her "conformist magazines" and fall in love with the city's smell of "candy and garbage." In college, she aches for guidance but struggles with intimacy, convinced that "estrangement" and poor communication are normal in a relationship, while real love is a myth. The narrator also addresses her feelings on being an outsider as an immigrant, and not knowing which social class she fits into in the U.S. While some of the narrative can feel jumbled, Durastanti offers profound insights and can capture moments of beauty. This makes for an enjoyable and distinctive bildungsroman.
