Sum (Enhanced Edition)
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4,0 • 2 Bewertungen
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- 7,99 €
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- 7,99 €
Beschreibung des Verlags
In the afterlife you may find that God is the size of a microbe and unaware of your existence. Or you may find the afterlife contains only those people whom you remember. In some afterlives you are split into all your different ages, in some you are recreated based on your credit card records, and in others you are forced to live with annoying versions of yourself that represent what you could have been. In these wonderfully imagined tales – at once funny, wistful and unsettling – Eagleman kicks over the chessboard of traditional notions and offers us a dazzling lens through which to see ourselves here and now. His stories are rooted in science and romance and awe at our mysterious existence: a mixture of hope, love and death that cuts through human nature at innovative angles.
With an exclusive film inspired by Sum, made by Ridley Scott Associates.
PUBLISHERS WEEKLY
A clever little book by a neuroscientist translates lofty concepts of infinity and death into accessible human terms. What happens after we die? Eagleman wonders in each of these brief, evocative segments. Are we consigned to replay a lifetime's worth of accumulated acts, as he suggests in "Sum," spending six days clipping your nails or six weeks waiting for a green light? Is heaven a bureaucracy, as in "Reins," where God has lost control of the workload? Will we download our consciousnesses into a computer to live in a virtual world, as suggested in "Great Expectations," where "God exists after all and has gone through great trouble and expense to construct an afterlife for us"? Or is God actually the size of a bacterium, battling good and evil on the "battlefield of surface proteins," and thus unaware of humans, who are merely the "nutritional substrate"? Mostly, the author underscores in "Will-'o-the-Wisp," humans desperately want to matter, and in afterlife search out the "ripples left in our wake." Eagleman's turned out a well-executed and thought-provoking book.
