Symphony
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- 3,99 €
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- 3,99 €
Beschreibung des Verlags
An audacious, brilliant and haunting novel about the composer Hector Belioz, by the author of PASSION. In 1827 Harriet Smithson, a beautiful and talented young Irish actress joins an English company taking Shakespeare to Paris. With the ferment of revolution in the air, the new generation is longing for a kind of passionate, spontaneous art. To Harriet's astonishment, it is embodied in her - La Belle Irlandaise. She finds herself pursued by an intense young composer named Hector Berlioz. So begins a painful and profound love affair. She is his muse; his idée fixe; his obsession. And Berlioz's Symphonie Fantastique, directly inspired by Harriet, will change music forever. In the course of their marriage, their lives are transfigured and destroyed by genius, inspiration, and ultimately madness. SYMPHONY is set against a background of nineteenth-century theatre, Romantic art and music, revolutionary Europe, inspiration and madness and features Liszt, Delacroix, Dumas, Hugo and Chopin. But at its heart lies the story of a woman who found, almost against her will, that she was a maker of magic.
PUBLISHERS WEEKLY
The real-life marriage of Irish actress Harriet Smithson (1800 1854) to composer Hector Berlioz (1803 1869) is the ostensible subject of Morgan's latest (following Indiscretion), but the two don't meet until two thirds of the way into this thickly embellished historical romance. After initial reluctance, the young Harriet, her passion for theatre inflamed by Shakespeare, joins her family's traveling theater company. As drink dissipates her father, weight softens her mother and minimal talent limits her brother Joseph, Harriet takes charge of the family business and appears with theatrical stars of the time. But it's her magnificent interpretation of Ophelia in Paris that brings her a public, including Hector, the son of a successful doctor and a pious mother. Young Hector's path to a musical education is told in parallel to Harriet's youth. After her Ophelia, Harriet turns away Hector's ardent pursuit, but as her theater begins to fail and his musical star begins to rise, she attends a performance of his Symphonie Fantastique, inspired by her. Morgan's modernist style, with frequent shifts in tense and POV, won't be for everyone, but it lets Morgan nicely capture the multiple levels of consciousness a performer juggles on stage ("the three minds") and gives the novel real texture.
