Tenderness
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- 9,99 €
Beschreibung des Verlags
The spellbinding story of Lady Chatterley's Lover, and the society that put it on trial; the story of a novel and its ripple effects across half a century, and about the transformative and triumphant power of fiction itself.
'A hugely daring, intrigue-packed, decade-jumping doorstopper that teasingly blends fiction and actuality with wit and panache' DAILY MAIL
'A triumph ... it will conquer your heart' ELIF SHAFAK
'Glorious and arresting ... A widescreen novel' OBSERVER
'A passionate, epic joy' MADELINE MILLER
'Powerful, moving, brilliant ... An utterly captivating read' ELIZABETH GILBERT
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D. H. Lawrence is dying. Exiled in the Mediterranean, he dreams of the past. There are the years early in his marriage during the war, where his desperation drives him to commit a terrible betrayal. And there is a woman in an Italian courtyard, her chestnut hair red with summer.
Jacqueline and her husband have already been marked out for greatness. Passing through New York, she slips into a hearing where a book, not a man, is brought to trial.
A young woman and a young man meet amid the restricted section of a famous library, and make love.
Scattered and blown by the winds of history, their stories are bound together, and brought before the jury. On both sides of the Atlantic, society is asking, and continues to ask: is it obscenity – or is it tenderness?
'Gorgeously written and meticulously conceived' DAVID LEAVITT
PUBLISHERS WEEKLY
MacLeod (All the Beloved Ghosts) pulls off a magnificent nonlinear spin on Lady Chatterley's Lover and the censorship of literature during D.H. Lawrence's life and beyond. Lawrence first glimpses Rosalind Baynes, the inspiration for Constance Chatterley, in 1915 Sussex. After he and his wife, Frieda, leave England—which has seized and destroyed all copies of The Rainbow—a few years later, Lawrence has a rapturous three-week liaison with Rosalind near Florence in 1920. He chooses not to leave Frieda, and infuses the charged sexuality of his bond with Rosalind—along with his frustration with his dead marriage and England's hypocrisy, imperialism, and class divisions—into Lady Chatterley's Lover, completed in 1928 and deemed much too explicit for commercial publication. In 1959, Jackie Kennedy, an admirer of the book and, like Constance Chatterley, a lonely wife, surreptitiously attends a hearing convened by the General Post Office of New York City to determine the legality of a new, unexpurgated edition. Soon thereafter, the British Crown decides to prosecute Penguin for its own uncut edition of the novel, and Rosalind watches from the balcony, while Jackie, back in the U.S., contemplates her future as the election unfolds. MacLeod covers an astonishingly broad range of incidents, eras, and themes in vivid prose, and depicts Lawrence's supporters and opponents with equal insight and sympathy. Her Lawrence, meanwhile, muses that a good book "sent life sparking from stranger to stranger, across spaces, decades and centuries... over rows of typographical marks; those low boundary fences of the imagination, hurdled." A triumphant demonstration of that power, this places MacLeod among the best of contemporary novelists.
