The Book of Someday
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- 14,99 €
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- 14,99 €
Beschreibung des Verlags
Three women. One stranger in a shimmering silver dress. Whatever binds them together has already destroyed one life. It just might consume them all.
When the past chases you, sometimes you just keep running. That's how Livvi Gray survives. She promised herself years ago that she'd forget those awful times, that she'd turn her someday dreams into reality. And she has. But sometimes we have to fight harder than ever to choose our own path.
Micah and AnnaLee are fighting just like Livvi, trying to overcome their own struggles. But the three of them are connected in ways they could never have expected, and the mystery holding them close will transfix you as it barrels toward earth-shattering truth.
Praise for The Book of Someday:
"With a tone reminiscent of Jodi Picoult, Kristin Hannah, and Carol Cassella, Dixon pulls at the threads between regret and nostalgia, forgiveness and blame, denial and acceptance. Emotional without being overwrought, The Book of Someday is an enchanting story."—Booklist
"[A] haunting tale …that will put a pang in your heart—and, sometimes, a chill in your bones... A compelling tale of three extraordinary women facing insurmountable odds."—Shelf Awareness, Starred Review
PUBLISHERS WEEKLY
Dixon's second novel (after The Language of Secrets) weaves together, across four decades, the lives of three driven, tormented women connected by a deeply buried secret. Novelist Livvi Gray survived an abusive childhood at the hands of a disturbed father and his enabling second wife. Micah, a brilliant photographer, discovers she's dying of cancer, a diagnosis that feels like karmic payback for committing an act of betrayal that helped launch her career. AnnaLee, a heartsick young wife and mother in the 1980s, struggles with anger at her husband, who seems content to let her support the family. Dixon follows these three separate threads, weaving them ever more closely together. One sees the ending coming, but not the how or the why until the right moment, which makes an impact. Dixon gives Livvi's affair with a married man too much focus, not drawing a strong enough comparison or contrast to AnnaLee's relationship. The use of present tense, no matter what the decade, harkens to Dixon's television-writing background, and pushes the reader out of the narrative at times, failing to make full use of the power of prose.
