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After three years as a PI, Harry Bosch returns to the LAPD. The superb page-turning eleventh Bosch novel from the award-winning No. 1 bestselling author.
Harry is back, assigned to the LAPD's Open-Unsolved Unit with his former cop ally and partner, Kizmin Rider. These detectives are the Closers. They are thrown into a politically sensitive and dangerous case when a white supremacist is connected to the 1988 murder of a mixed race girl.
The police department has changed, but one thing hasn't - Harry's nemesis, Irving. The former Deputy Chief has been pushed from power and given a virtually meaningless new role. Full of vengeance, Irving calls Harry a 'retread'. He watches from the sidelines like an injured bear, hoping Harry will make a mistake . . .
LAPD detective Harry Bosch, hero of last year's The Narrows and other Connelly thrillers, is back on the force after a two-year retirement. Assigned to the Open Unsolved (cold cases) unit and teamed with former partner Kiz Rider, Harry's first case back involves the killing of a high school girl 17 years before, reopened because of a DNA match to blood found on the murder gun. That premise could be a formula for a routine outing, but not with Connelly. Nor does the author rely on violent action to propel his story; there's next to none. In Connelly/Bosch's world, character, context and procedure are what count, and once again the author proves a master at all. The blood on the gun belongs to a local lowlife white supremacist, Roland Mackey; the victim had a black father and a white mother. But the blood indicates only that Mackey had possession of the gun, so how to pin him to the crime? Connelly meticulously leads the reader along with Bosch and Rider as they explore the links to Mackey and along the way connect the initial investigation of the crime to a police conspiracy. Most striking of all, in developments that give this novel astonishing moral force, the pair explore the "ripples" of the long ago crime, how it has destroyed the young girl's family leaving the mother trapped in the past and plunging the father into a nightmare of homelessness and drink and how it drives Rider, and especially Bosch, into deeper understanding of their own purposes in life. Connelly comes as close as anyone to being today's Dostoyevsky of crime literature, and this is one of his finest novels to date, a likely candidate not only for book award nominations but for major bestsellerdom.