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Beschreibung des Verlags
A sharp and provocative new essay collection from the award-winning author of Freedom and The Corrections
In The End of the End of the Earth, which gathers essays and speeches written mostly in the past five years, Jonathan Franzen returns with renewed vigour to the themes – both human and literary – that have long preoccupied him. Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York, or offering an illuminating look at the global seabird crisis, these pieces contain all the wit and disabused realism that we’ve come to expect from Franzen.
Taken together, these essays trace the progress of a unique and mature mind wrestling with itself, with literature and with some of the most important issues of our day, made more pressing by the current political milieu. The End of the End of the Earth is remarkable, provocative and necessary.
Praise for The End of the End of the Earth:
‘… by refusing to hope for the impossible, Franzen, improbably, manages to produce a volume that feels, if not hopeful, then at least not hopeless. There’s nothing he can do – there’s probably nothing any of us can do – to avert or even alleviate the coming catastrophe. But for now, he’s here and he’s alive, and over the course of these essays he offers us a series of partial, tentative answers to the question he poses himself at the beginning: “ How do we find meaning in our actions when the world seems to be coming to an end?” Guardian
‘Can be read, in part, as a welcome alternative to the current, dominant American political tone of one-note belligerence’ Observer
‘Franzen shows himself to be the kind of unacademic critic who recognises and does not disapprove of the Common Reader’s natural tendency to feel for the characters the author has brought into being’ Scotsman
Praise for Jonathan Franzen:
‘A literary genius for our time’ Guardian
‘Arguably America’s greatest living novelist’ Daily Telegraph
‘Franzen is that rare bird: a literary novelist of the highest distinction who has also become one of the bestsellers of the age’ Evening Standard
‘Franzen’s words crackle with wit humour and wisdom’ Shortlist
About the author
Jonathan Franzen is the author of five novels, including Purity, The Corrections and Freedom, and five works of nonfiction and translation, including Farther Away and The Kraus Project. He is a member of the American Academy of Arts and Letters, the German Akademie der Künste, and the French Ordre des Arts et des Lettres.
A compulsive need to find order, and a love of birding, represent two of the central threads of this stimulating collection of previously published essays from novelist Franzen (Purity). In the opening essay, "The Essay in Dark Times," Franzen self-identifies as "what people in the world of birding call a lister," which makes him "morally inferior to birders who bird exclusively for the joy of it." Throughout the essays that follow, Franzen muses about writing, Edith Wharton, climate change, Antarctica, the photographs of Sarah Stolfa, and birds, always birds. Some of his opinions have already stoked controversy: In "A Rooting Interest," he comments on Wharton's privileged position amid New York City's social elite, and observes she had "one potentially redeeming disadvantage: she wasn't pretty." In "Save What You Love," he takes the Audubon Society to task for naming climate change as the greatest threat to birds, when "no individual bird death can be definitively attributed" to it, while statistics indicate that picture windows and outdoor cats kill three billion birds annually. Whether observing the eerie beauty of Antarctica ("far from having melted," he reports) or dispensing "Ten Rules for the Novelist," Franzen makes for an entertaining, sometimes prickly, but always quotable companion.