The Final Country

PUBLISHERS WEEKLY 24. SEPT. 2001

PI Milo Milodragovich turns a very hammered 60 years old in this energetic, poetic, violent and extremely funny ride, which comes within a belly laugh or two of equaling Crumley's absolute masterpiece, The Last Good Kiss (1978). "The rumors of my near demise haven't been exaggerated," Milo says, "but unfortunately for my enemies, I'm not dead yet." After finally collecting his long-deferred family inheritance (plus a huge cache of loot from the bad guys) in Bordersnakes (1996), the author's previous novel, he seems ready to settle down in Texas, the state with "more handguns than cows." He has a woman he may love, and now owns a bar. Milo, however, just can't let go of investigative work. As he tracks down a wandering wife whose implants have made her the pool-playing terror of many a roadhouse, he is on the scene as a gigantic black man named Enos Walker tears into a dive and kills a drug dealer. When Milo asks a couple of questions about Walker, bullets start coming his way, sending him on a cocaine-and-alcohol fueled trip for answers that may be 20 years old, hidden behind deception and sex and death, going from Texas to Las Vegas and Montana. Plot twists and details seem loose and easy, yet every thread is sewn tight as a hardball. This is a brilliant achievement, with Crumley returned to his full powers, seeming to say with each assured sentence, Yeah, I'm an old dog, but I still wag the baddest bone.