The Flowers of Evil: (Les Fleurs du mal)
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- 8,99 €
Beschreibung des Verlags
On the 200th anniversary of Baudelaire’s birth comes this stunning landmark translation of the book that launched modern poetry.
Known to his contemporaries primarily as an art critic, but ambitious to secure a more lasting literary legacy, Charles Baudelaire, a Parisian bohemian, spent much of the 1840s composing gritty, often perverse, poems that expressed his disgust with the banality of modern city life.
First published in 1857, the book that collected these poems together, Les Fleurs du mal, was an instant sensation—earning Baudelaire plaudits and, simultaneously, disrepute. Only a year after Gustave Flaubert had endured his own public trial for published indecency (for Madame Bovary), a French court declared Les Fleurs du mal an offense against public morals and six poems within it were immediately suppressed (a ruling that would not be reversed until 1949, nearly a century after Baudelaire’s untimely death). Subsequent editions expanded on the original, including new poems that have since been recognized as Baudelaire’s masterpieces, producing a body of work that stands as the most consequential, controversial, and influential book of poetry from the nineteenth century.
Acclaimed translator and poet Aaron Poochigian tackles this revolutionary text with an ear attuned to Baudelaire’s lyrical innovations—rendering them in “an assertive blend of full and slant rhymes and fluent iambs” (A. E. Stallings)—and an intuitive feel for the work’s dark and brooding mood. Poochigian’s version captures the incantatory, almost magical, effect of the original—reanimating for today’s reader Baudelaire’s “unfailing vision” that “trumpeted the space and light of the future” (Patti Smith).
An introduction by Dana Gioia offers a probing reassessment of the supreme artistry of Baudelaire’s masterpiece, and an afterword by Daniel Handler explores its continued relevance and appeal. Featuring the poems in English and French, this deluxe dual-language edition allows readers to commune both with the original poems and with these electric, revelatory translations.
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The rendering of Baudelaire's ground-breaking classic into English has been tackled numerous times in various ways since the 19th century. In this version, rather than utilizing rhymed stanzas, free verse or prose, prolific poet and translator Waldrop attempts to capture Baudelaire's ever-elusive tone in versets, paragraphs of "measured prose" similar to those used in the King James Bible. While readers may miss the compression and restraint that line breaks demanded in earlier translations, Waldrop does succeed in approaching Baudelaire's layered irony, at once serious and over-the-top, comic and scandalous. Reading "Like some rake...gumming the brutalized tit of a superannuated whore" , it becomes clear why the French government saw fit to ban some of this work in 1857. At the same time, Baudelaire-the archetypal urban dandy-could see the beauty of a female beggar ("your sickly young body, densely freckled, has a sweetness for this poor poet"), identify himself with the "awkward and ashamed" albatross abused by sailors, and see in a naked lover "the hips of Antiope united with the bust of a beardless boy." Waldrop sounds off on all-things-Baudelaire in an informative introduction. New translations of this seminal poet will continue to surface with each new generation of readers and writers: Waldrop brings a contemporary feels to Baudelaire's most important work.
