The Four Books
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- 8,99 €
Beschreibung des Verlags
SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2016
'One of China's greatest living authors and fiercest satirists' Guardian
In the ninety-ninth district of a sprawling labour camp, the Author, Musician, Scholar, Theologian and Technician - and hundreds just like them - are undergoing Re-education, to restore their revolutionary zeal and credentials. In charge of this process is the Child, who delights in draconian rules, monitoring behaviour and confiscating treasured books.
But when bad weather arrives, followed by the ‘three bitter years’, the intellectuals are abandoned by the regime and left on their own to survive. Divided into four narratives, The Four Books tells the story of the Great Famine, one of China’s most devastating and controversial periods.
WINNER OF THE FRANZ KAFKA PRIZE 2014
NOMINATED FOR CZECH AWARD MAGNESIA LITERA 2014
HUA ZHONG WORLD CHINESE LITERATURE PRIZE 2013
FINALIST FOR THE MAN BOOKER INTERNATIONAL PRIZE 2013
WINNER OF THE HUA ZHONG WORLD CHINESE LITERATURE PRIZE 2013
SHORTLISTED FOR THE INDEPENDENT FOREIGN FICTION PRIZE 2012
SHORTLISTED FOR THE PRIX FEMINA ETRANGER 2012
SHORTLISTED FOR THE MAN ASIAN LITERARY PRIZE 2011
WINNER OF THE LAO SHE LITERATURE AWARD 2004
WINNER OF THE LU XUN AWARD 1997
PUBLISHERS WEEKLY
Yan, a finalist for the Man Booker International Prize, pens a biting satire about Chinese re-education camps during the Great Leap Forward that's as haunting as it is eye-opening. In this tale, intellectuals and dissidents are sent to a labor camp, where they promise to perform impossible tasks in order to gain their freedom. These intellectuals "the Musician," forced to prostitute herself for food; her lover, "the Scholar"; "the Theologian," who ends up cursing God for his fate; and "the Author," commissioned to write reports on the sins of the others, struggle for survival. Overseeing all of them is "the Child," who is as vulnerable to the whims of his bureaucratic superiors as his prisoners are to him. As the prisoners careen from impossible production quotas to slow death by starvation, the Child eventually offers to sacrifice himself for their freedom, in a stark parody of both Maoist ideals and Christian scripture. Yan has created a complex, epic tale rife with allusion. He effortlessly moves from Eastern to Western references, and even readers without a background in Chinese history and culture will find his story fascinating and immersive. The novel is a stinging indictment of the illogic of bureaucracy and tyranny, but the literary structure is tight and the prose incredibly accessible. Readers will have difficulty putting this down.
