The Fraud
The instant Sunday Times bestseller
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4,0 • 1 Bewertung
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- 14,99 €
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- 14,99 €
Beschreibung des Verlags
Book of the Year 2023 according to New York Times, New Yorker, Guardian, Economist, Observer, The Spectator, Financial Times, Vogue, The Times, The Oldie, i Paper, The Standard, Washington Post, Independent, Daily Express
SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2023
SHORTLISTED FOR THE WRITERS’ PRIZE FOR FICTION 2024
ONE OF SARAH JESSICA PARKER’S BEST BOOKS OF 2023
LONGLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 2024
‘A writer at the peak of her powers’ The Telegraph
Truth and fiction. Jamaica and Britain. Who gets to tell their story? Zadie Smith returns with her first historical novel.
Kilburn, 1873. The 'Tichborne Trial' has captivated the widowed Scottish housekeeper Mrs Eliza Touchet and all of England. Readers are at odds over whether the defendant is who he claims to be - or an imposter.
Mrs Touchet is a woman of many interests: literature, justice, abolitionism, class, her novelist cousin and his wives, this life and the next. But she is also sceptical. She suspects England of being a land of façades, in which nothing is quite what it seems.
Andrew Bogle meanwhile finds himself the star witness, his future depending on telling the right story. Growing up enslaved on the Hope Plantation, Jamaica, he knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realise.
Based on real historical events, The Fraud is a dazzling novel about how in a world of hypocrisy and self-deception, deciding what's true can prove a complicated task.
‘It’s difficult to give any idea of how extraordinary this book is. One of the great historical novels, certainly. But has any historical novel ever combined such brilliantly researched and detailed history with such intensely imagined fiction? Or such a range of living, breathing, surprising characters with such an idiosyncratically structured narrative?’ Michael Frayn
‘As always it is a pleasure to be in Zadie Smith’s mind, which, as time goes on, is becoming contiguous with London itself. Dickens may be dead, but Smith, thankfully, is alive’ New York Times
‘Zadie Smith’s Victorian-set masterpiece holds a mirror up to Britain . . . The Fraud is the genuine article’ Independent
‘Smith’s dazzling historical novel combines deft writing and strenuous construction in a tale of literary London and the horrors of slavery’ Guardian
Instant Sunday Times bestseller, September 2023
PUBLISHERS WEEKLY
Smith's mesmerizing latest (after the essay collection Feel Free) centers on a real-life Victorian cause célèbre involving a man who claims to be a long-lost English aristocrat. The story opens in 1873, when Scottish widow Eliza Touchet (like most of the novel's characters, a historical figure) has spent four decades as the housekeeper for novelist William Ainsworth, her cousin by marriage. One of her distractions from her unrewarding life is the highly publicized controversy surrounding the so-called Tichborne Claimant. English aristocrat Roger Tichborne is believed to have drowned off the Brazilian coast in 1854. Twelve years later, however, a man who says he's Sir Roger begins a lengthy attempt to claim the Tichborne title and fortune. As a spectator at the 1871 civil trial the claimant initiates to establish his identity, Eliza doubts his story yet instinctively believes one of the witnesses on his behalf, a formerly enslaved man named Andrew Bogle. After the jury rules against the claimant and he is arrested for perjury and fraud, Eliza introduces herself to Bogle. An abolitionist, she's moved by his dignity and vulnerability, and persuades him to tell her his story. In the process, she realizes that she, like Ainsworth, is a writer. Smith weaves Eliza's shrewd and entertaining recollections of her life, a somber account of Bogle's ancestry and past, brief excerpts from Ainsworth's books, and historic trial transcripts into a seamless and stimulating mix, made all the more lively by her juxtaposing of imagination with first- and secondhand accounts and facts. The result is a triumph of historical fiction.
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