The Future Won't Be Long
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- 4,99 €
Beschreibung des Verlags
It's the tail-end of 1986 and Baby is the freshest-faced, starriest-eyed young homo in all of New York City, straight off the bus from closeted backwoods Wisconsin. Adeline is his rich-art-school-kid saviour with a bizarre transatlantic drawl and a spare bed.
The Future Won't Be Long follows Baby and Adeline as they cling to each other for dear life through a decade of mad, bad New York life punctuated by the deaths of Warhol, Basquiat and Wojnarowicz and the forcible gentrification of the East Village. While Adeline develops into the artist she never really expected to become, Baby falls into a twilight zone of clubbing, ketamine and late-capitalistic sexual excess. As he struggles to find his way out again, Baby will test the strength of a friendship that had seemed unbreakable.
Riotously funny, provocative but tender, The Future Won't Be Long is a sprawling, ecstatic elegy to New York, and to the friendships that have the power to change - and save - our lives.
'A punky, heartbreaking and hilarious epic on America going nowhere, going crazy, going bad. It's brilliant' Dorthe Nors, author of Mirror, Shoulder, Signal
PUBLISHERS WEEKLY
Set primarily in Manhattan in the tumultuous decade spanning the years 1986 to 1996, this picaresque novel refracts the coming of age of its two main characters through their alternating narrative viewpoints and the events and personalities that defined the city at that time. Baby is a recently orphaned young gay man fresh off the bus from Wisconsin. Adeline is an art student estranged from her wealthy mother. When circumstances bring them together, Baby moves into Adeline's apartment, and the two embark on a whirlwind spree through the East Village, the downtown club scene and its drug culture, and events like the Tompkins Square Park Riots, the AIDS epidemic, and the first bombing of the World Trade Center. Along the way, Baby nurtures his nascent talent for science fiction writing and Adeline graduates to become a successful commercial artist. Kobek (I Hate the Internet) has a great eye for detail, and his descriptions of his characters' peregrinations through New York's neighborhoods and nightlife read with the authenticity of genuine experience. Punctuated with gentle humor and awash with genuine fondness for its characters, this novel breezes giddily through the disorder and shifting landscape of their lives, bearing out Baby's contention that "Good or ill, there's always change coming."
