The Hollow Chocolate Bunnies of the Apocalypse
Eddie Bear Book 1
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5,0 • 1 Bewertung
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- 3,99 €
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- 3,99 €
Beschreibung des Verlags
A hilarious comic fantasy from the bestselling cult creator of the Brentford Triangle Trilogy
Once upon a time Jack set out to find his fortune in the big city. But the big city is Toy City, formerly known as Toy Town, and it has grown considerably since the good old days and isn't all that jolly any more. And there is a serial killer loose on the streets. The old, rich nursery rhyme characters are being slaughtered one by one and the Toy City police are getting nowhere in their investigations. Meanwhile, Private Eye Bill Winkie has gone missing, leaving behind his sidekick Eddie Bear to take care of things.
Eddie may be a battered teddy with an identity crisis, but someone's got to stop the killer. When he teams up with Jack, the two are ready for the challenge. Not to mention the heavy drinking, bad behaviour, car chases, gratuitous sex and violence, toy fetishism and all-round grossness along the way. It's going to be an epic adventure!
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Like a mad toymaker's fever dream, Rankin's uproarious book imagines a town where toys and nursery rhymes come to life and pursue human activities: they walk, talk, eat, drink and commit heinous crimes. Thirteen-year-old Jack goes to the City to find his fortune, unaware that the City is in fact Toy City, where legends and fables walk (or stumble, if they've had too much to drink). He meets up with detective teddy bear Eddie, who is investigating the murder of Humpty Dumpty. When Little Boy Blue is offed, it's clear that a serial killer is prowling Toy City, leaving behind the titular chocolate bunnies as his calling card. Rankin doesn't just drop names of familiar characters but gives them riotous back stories: Miss Muffett hosts a daytime TV talk show called "The Tuffet"; Mother Goose (who prefers to be called Madame Goose) runs a brothel; Humpty Dumpty was likely a failed television stuntman named Terry Horsey. Although the story is wickedly clever and the payoff is a great and satisfying surprise, the real delight comes from watching Rankin work his linguistic magic: characters talk in hilariously circular and self-aware dialogue, and puns and wordplay are packed into the prose like sardines in a tin. Although substantially darker and edgier than the Hitchhiker's series, this gem will appeal to Douglas Adams fans, as well as lovers of British humor in general.
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