The Imperfectionists
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- 3,99 €
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- 3,99 €
Beschreibung des Verlags
The charming and enthralling story of an idiosyncratic English-language newspaper in Rome and the lives of its staffers as the paper fights for survival in the internet age.
'A precise, playful fiction with a deep but lightly worn intelligence' - Times Literary Supplement
The newspaper was founded in Rome in the 1950s, a product of passion and a multi-millionaire's fancy. Over fifty years, its eccentricities earned a place in readers' hearts around the globe. But now, circulation is down, the paper lacks a website, and the future looks bleak.
Still, those involved in the publication seem to barely notice. The obituary writer is too busy avoiding work. The editor-in-chief is pondering sleeping with an old flame. The obsessive reader is intent on finishing every old edition, leaving her trapped in the past. And the publisher seems less interested in his struggling newspaper than in his magnificent basset hound, Schopenhauer.
The Imperfectionists interweaves the stories of eleven unusual and endearing characters who depend on the paper. Funny and moving, the novel is about endings - the end of life, the end of sexual desire, the end of the era of newspapers - and about what might rise afterward.
PUBLISHERS WEEKLY
In his zinger of a debut, Rachman deftly applies his experience as foreign correspondent and editor to chart the goings-on at a scrappy English-language newspaper in Rome. Chapters read like exquisite short stories, turning out the intersecting lives of the men and women who produce the paper and one woman who reads it religiously, if belatedly. In the opening chapter, aging, dissolute Paris correspondent Lloyd Burko pressures his estranged son to leak information from the French Foreign Ministry, and in the process unearths startling family fare that won't sell a single edition. Obit writer Arthur Gopal, whose "overarching goal at the paper is indolence," encounters personal tragedy and, with it, unexpected career ambition. Late in the book, as the paper buckles, recently laid-off copyeditor Dave Belling seduces the CFO who fired him. Throughout, the founding publisher's progeny stagger under a heritage they don't understand. As the ragtag staff faces down the implications of the paper's tilt into oblivion, there are more than enough sublime moments, unexpected turns and sheer inky wretchedness to warrant putting this on the shelf next to other great newspaper novels.
