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Beschreibung des Verlags
In 1938, seventeen-year-old Beatrice, an Irish Protestant lace maker, finds herself at the center of a fairy tale when she is whisked away from her dreary life to join the Berlin household of Felix and Dorothea Metzenburg. Art collectors, and friends to the most fascinating men and women in Europe, the Metzenburgs introduce Beatrice to a world in which she finds more to desire than she ever imagined.
But Germany has launched its campaign of aggression across Europe, and, before long, the conflict reaches the Metzenburgs’ threshold. Retreating with Beatrice to their country estate, Felix and Dorothea do their best to preserve the traditions of the old world. But the realities of hunger and illness, as well as the even graver threats of Nazi terror, the deportation and murder of Jews, and the hordes of refugees fleeing the advancing Red Army begin to threaten their existence. When the Metzenburgs are forced to join a growing population of men and women in hiding, Beatrice, increasingly attached to the family and its unlikely wartime community, bears heartrending witness to the atrocities of the age and to the human capacity for strength in the face of irrevocable loss.
In searing physical and emotional detail, The Life of Objects illuminates Beatrice’s journey from childhood to womanhood, from naïveté to wisdom, as a continent collapses into darkness around her. It is Susanna Moore’s most powerful and haunting novel yet.
This eBook edition includes a Reading Group Guide.
In Moore's (In the Cut) latest novel, objects have complicated lives they're bought, collected, requisitioned, buried, stolen, sold, and bartered and so do people. It's Germany during WWII, and strange and awful occurrences are becoming common. Even the rich and politically connected Felix and Dorothea Metzenburg can no longer guarantee their safety or that of Beatrice Palmer, the book's narrator, who, in a series of unlikely circumstances, has come from Ireland to work for them. The bulk of the story takes place on Dorothea's country estate, to which the family, with 23 wagons of Felix's art and objects, retreat when Berlin becomes untenable. There the war switches between a distant rumor on illegal radio broadcasts and, with food shortages, disappearances, and bombings, a reality. It becomes clear that Felix's moral and aesthetic sensibilities will not allow him to cooperate with the National Socialist state. Although the book starts slowly, once we're accustomed to Beatrice's measured style, she's an appealing, sometimes touching guide to a world where luxury and devastation coexist; friends may be spies; a Cranach painting means less than the potatoes it buys; all kinds of refugees seek safety on the estate; relationships change; and safety, although not love, is illusory.