The Magician's Land
(Book 3)
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4,3 • 9 Bewertungen
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- 8,99 €
Beschreibung des Verlags
Quentin has been cast out of Fillory. Alone and adrift, he returns to Brakebills, the school of magic where it all began. But he can't hide from his past.
His new path will take him through a world of grey and uncertain magic, from Antarctica to the
enchanted Neitherlands.
But all roads lead back to Fillory. The magical barriers are failing and the realm faces destruction. To save them, Quentin must unlock the secrets of magic and risk sacrificing everything.
Praise for The Magicians Trilogy
'The best fantasy trilogy of the decade.' Charles Stross
'The most entertaining and compelling fantasy I've read in a long time.' The Times
'Lev Grossman has conjured a rare creature: a trilogy that simply gets better and better as it goes along... Literary perfection.' Erin Morgenstern
'May just be the most subversive, gripping, and enchanting fantasy novel I've read this century.' Cory Doctorow
'Dark and dangerous and full of twists. Hogwarts was never like this.' George R. R. Martin
'Sad, hilarious, beautiful, and essential to anyone who cares about modern fantasy.' Joe Hill
'A darkly cunning story about the power of imagination itself.' The New Yorker
'The Magicians ought to be required reading... a terrific, at times almost painfully perceptive novel of the fantastic.' Kelly Link
'Brilliantly explores the hidden underbelly of fantasy and easy magic, taking what's simple on the surface and turning it over to show us the complicated writhing mess beneath.' Naomi Novik
PUBLISHERS WEEKLY
Grossman's final entry in the Magicians Trilogy (following The Magician King) brings Quentin Coldwater's story to a satisfying conclusion. After Quentin is banished from his beloved magical land of Fillory and fired from the Brakebills school of magic, he joins a wizardly heist masterminded by a talking bird. The target: a relic from one of the first children to visit Fillory, whose adventures were immortalized in a series of Narnia-like children's novels. During this mission, Quentin must confront his past mistakes and his role in the dying Fillory's future. Just as Quentin achieves a new maturity, so Grossman's trilogy becomes more than a sex-and-swearing satire of Harry Potter and Narnia. Grossman still can't resist winking at his novels' antecedents, as when a character uses the Harry Potter catchphrase "Mischief managed." Though the tone is occasionally too ironic, and Quentin's victories overly easy such as a reconciliation with a key character from the first novel this novel serves as an elegantly written third act to Quentin's bildungsroman, in which he at last learns responsibility and to not simply put childish things aside but understand them and himself anew. Fans of the trilogy will be pleased at how neatly it all resolves.
