The Operators
The Wild and Terrifying Inside Story of America's War in Afghanistan
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- 2,99 €
Beschreibung des Verlags
The inspiration for the upcoming movie WAR MACHINE, starring Brad Pitt, Tilda Swinton and Ben Kingsley (streaming on Netflix from 26 May).
General Stanley McChrystal, the innovative commander of international and US forces in Afghanistan, was living large. Loyal staff liked to call him a 'rock star'. During a spring 2010 trip across Europe to garner additional Allied help for the war effort, McChrystal was accompanied by journalist Michael Hastings of ROLLING STONE. For days, Hastings looked on as McChrystal and his staff let off steam, partying and openly bashing the Obama administration for what they saw as a lack of leadership. When Hastings' piece appeared a few months later, it set off a political firestorm: McChrystal was ordered to Washington, where he was unceremoniously fired.
In THE OPERATORS, Hastings gives us a shocking behind-the-scenes portrait of Allied military commanders, their high-stakes manoeuvres and often bitter bureaucratic in-fighting. He takes us on patrol missions in the Afghan hinterlands and to hotel bars where spies and expensive hookers participate in nation-building gone awry, drawing back the curtain on a hellish complexity and, he fears, an unwinnable war.
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Hastings (I Lost My Love in Baghdad: A Modern War Story) recounts the events behind and beyond his award-winning 2010 Rolling Stone article "The Runaway General," which led to the resignation of General Stanley McChrystal and his replacement with General David Petraeus. Trailing McChrystal and his staff as they travel to Paris, Berlin, and Kabul, Hastings discovers how the nation's foremost "operators" the special forces and other personnel on "the X the spot on the satellite map where the action down" regard the war as secondary to their loyalty to each other. Cavalier remarks about key figures and incidents ranging from the infamous cover-up of the cause of Pat Tillman's death to scenes with President Obama reveal the essential divide between military and civilian perspectives. Hastings brilliantly intertwines narratives, whether writing about the halls of Washington, war-torn Baghdad, or rudimentary lessons in counterinsurgency math, a system wherein killing two of ten results not in eight, but twenty insurgents. Hasting's first-class, engrossing reportage reveals unsettling yet human flaws behind one of recent history's most lionized military figures, and a war which purportedly began as a response to terrorism, but whose aims in the author's estimation remain ambiguous.
