The Pint Man
A Novel
-
- 4,49 €
-
- 4,49 €
Beschreibung des Verlags
A funny and endearing novel about the comforts of a never-ending adolescence and the glories of Guinness.
For Rodney Poole, a friendly and unassuming lover of clever wordplay and television sports of all stripes, Boyle's Irish Pub is a haven of good cheer, pleasantly pointless conversation, elaborate jokes, heated trivia contests, well-poured pints, and familiar faces. The pressures and demands of the outside world hold no sway there- the crowd at Boyle's is his family, and with family all sins are forgiven.
But reality cannot be kept at bay forever, and now Rodney's best friend and partner in inertia, Keith, is getting married and moving to Chicago. Since Rodney has for the most part enjoyed his bachelorhood vicariously through Keith, the prospect of being single, middle-aged, unemployed, and without his pal to while away the nights with is causing Rodney to rethink—or rather, create—his priorities.
When Keith introduces him to the lovely Mairead (rhymes with parade), a cheerful career woman who seems to enjoy his bad puns, ambitionless nature, and love of literature, Rodney can spy an honorable path to grown-up-hood at last. But a series of comic mishaps jeopardize his budding relationship with Mairead, his friendship with Keith, and most serious of all, his place on a barstool in the idyllic world of Boyle's.
PUBLISHERS WEEKLY
The first novel from former Sports Illustrated columnist Rushin joins other works of pub fiction, yet it's the wordplay not the alcohol consumption that drives the novel. Rodney Poole is unemployed, spends much of his time at New York bar Boyle's, and has had only one serious girlfriend. Change is in the air as Rodney's best friend prepares to move to Chicago and Rodney meets a woman named Mairead (who appears to actually like him); even his prospects of finding a job are looking up. It's not a plot-heavy novel, with much of its suspense revolving around a mysteriously disappearing and reappearing U-Haul truck and the question of whether two bullies schooled by Rodney will show up at Boyle's again. What sets the work apart is Rodney's sharp wit. Praised for is "verbal ambidexterity," Rodney loves wordplay as much as he loves beer, as is amply demonstrated in his wooing of Mairead. The banter is funny enough to make the reader look past the novel's defects, and Rushin emerges as one of the sharpest wits on the scene.
