The Street Sweeper
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- 4,49 €
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- 4,49 €
Beschreibung des Verlags
How breathtakingly close we are to lives that at first seem so far away.
From the civil rights struggle in the United States to the Nazi crimes against humanity in Europe, there are more stories than people passing one another every day on the bustling streets of every crowded city. Only some stories survive to become history.
Recently released from prison, Lamont Williams, an African American probationary janitor in a Manhattan hospital and father of a little girl he can’t locate, strikes up an unlikely friendship with an elderly patient, a Holocaust survivor who was a prisoner in Auschwitz-Birkenau.
A few blocks uptown, historian Adam Zignelik, an untenured Columbia professor, finds both his career and his long-term romantic relationship falling apart. Emerging from the depths of his own personal history, Adam sees, in a promising research topic suggested by an American World War II veteran, the beginnings of something that might just save him professionally, and perhaps even personally.
As these men try to survive in early-twenty-first-century New York, history comes to life in ways neither of them could have foreseen. Two very different paths—Lamont’s and Adam’s—lead to one greater story as The Street Sweeper, in dealing with memory, love, guilt, heroism, the extremes of racism and unexpected kindness, spans the twentieth century to the present, and spans the globe from New York to Chicago to Auschwitz.
Epic in scope, this is a remarkable feat of storytelling.
PUBLISHERS WEEKLY
At the heart of Perlman's long, labyrinthine, but rewarding novel are two narratives: a Polish Jew tells the tale of his ordeal in a Nazi death camp to a black American ex-con while evidence of black American soldiers liberating a concentration camp is unearthed by an Australian-Jewish history professor. That these stories cleverly mirror one another is one of the many strengths of Perlman's (Seven Types of Ambiguity) latest saga. Lamont Williams, just out of prison and working at Memorial Sloan-Kettering Cancer Center, befriends Henryk Mandelbrot, a patient and Holocaust survivor who recounts his experiences as a Jew in Nazi-occupied Poland and later working the gas chambers at Auschwitz. Adam Zignelik, in fear of losing his teaching job at Columbia and depressed after breaking up with his girlfriend, discovers early voice recordings of Jewish prisoners, which he scours for testimony that African-American soldiers may have been involved in the liberation of Dachau. Other related characters weave in and out, the coincidences of their intersections fraught with tantalizing meaning. Perlman deftly navigates these complicated waters, moving back and forth in time without having to take narrative responsibility for the course of history. In so doing, he brilliantly makes personal both the Holocaust and the civil rights movement, and crafts a moving and literate page-turner.
