The Writing on the Wall
A Novel
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- 12,99 €
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- 12,99 €
Beschreibung des Verlags
The emotionally realistic and elegant portrait of mourning in the days and months following 9/11
As Renata, a linguist for the New York City Public Library, crosses the Brooklyn Bridge on her way to work one morning, she looks up to see a flash of orange and blue. Two planes have hit the World Trade Center, and with that, her world changes entirely.
Renata's connection to the tragedy grows deeper as her boyfriend, an overzealous social worker, begins to take care of a baby orphaned by the attacks. And then she meets a mute teenage girl in the rubble of the Twin Towers who may or may not be her long lost niece—a family connection as tenuous as it is painful. The winner of New York magazine's Best Literary Fiction award in 2005, this novel evocatively represents the forms of grief in the wake of major trauma.
PUBLISHERS WEEKLY
The aftermath of the World Trade Center attack provides a traumatic backdrop to Schwartz's latest novel (after In the Family Way), an intellectually evocative and emotionally trenchant exploration of troubled intimacy and the constitutive effects of language. Renata, a Brooklyn-based 30-something librarian with a gift for recondite tongues, is stymied in her promising affair with fellow Brooklynite Jack by her vows of "emotional celibacy," the result of a long history of family trauma, including the tragic death of her twin sister, Claudia, at age 16. When the Twin Towers are struck, Jack's assistant at his downtown social services agency perishes in the collapse, and he and Renata become the caretakers of her baby, Julio. As Renata develops an obsessive attachment to the baby as well to a mute stray teenager she names after her dead niece, Gianna (born just before Claudia's death), Schwartz artfully reveals the origins of Renata's psychic scars: the twins' overenmeshed relationship, the death of their father and institutionalization of their mother, plus Gianna's mysterious drowning. Renata's emotional wariness links to her suspicions of language in general, which are exacerbated by the president's verbal response to the terrorist attack. With Renata's complex balance of intellectual skepticism, emotional fragility and street smarts, Schwartz continues to show herself a rigorous novelist.
