Things Don’t Break On Their Own
‘A captivating, haunting, and twisty story’ Karin Slaughter
-
- 8,99 €
Beschreibung des Verlags
'This is the one: the next must-read, must-discuss novel' A.J. FINN
'A terrific debut from a promising talent' KARIN SLAUGHTER
'I will be thinking about it for years ... I loved it' GILLIAN McALLISTER
---
She could be anyone. She could be you.
Nobody ever found out what happened to Laika Martenwood, the girl who vanished without a trace on her way to school one morning. But for her sister Willa, life shattered into tiny pieces that day, and she has never been able to put them back together again.
Willa sees Laika everywhere: on buses, at parties, in busy streets. It’s been twenty-five years, and the only thing that has kept her going is her belief that her sister is alive, somewhere.
But when a dinner party conversation about childhood memories spirals out of control, a shattering revelation from one of the guests forces Willa to rethink everything she thought she knew about her past. And, out of the debris of that explosive evening, the truth of what really happened begins to emerge. Piece by piece.
---
'A genuine page-turner' ALICE FEENEY
'So, so, so good' CHRIS WHITAKER
'Enthralling and unmissable' EMILIA HART
'Compelling' CLAIRE FULLER
PUBLISHERS WEEKLY
A stray comment at a dinner party proves seismic in Easter Collins's devastating debut. After Willa Martenwood's younger sister, Laika, goes missing near their wealthy family's London home, a teenage Willa escapes the ensuing media circus by transferring to a boarding school. There, she becomes friends and secret lovers with her roommate, Robyn Bee. Twenty-two years later, Robyn is a happily married mother of three, while Willa is engaged to boorish cad Jamie and remains obsessed with finding Laika, whom she believes is still alive. When Robyn invites Willa to a dinner party she and her wife, Cat, are hosting, Cat bristles; she's jealous of Willa and fears Jamie will ruin the night. Still, the evening goes smoothly enough—until one guest makes an offhand remark regarding the thesis they're working on about the corruptibility of memory, which sends Willa down a rabbit hole and eventually convinces her that Laika might be closer than she thought. In kaleidoscopic first-person narration that alternates between Robyn and Willa's perspectives, Easter Collins skips back and forth in time, imparting details about each woman's past and fleshing out their characters at a steady clip. Though the plot goes to some far-fetched places, evocative prose holds the whole thing together, and Easter Collins enriches the mystery with some thoughtful reflections on the rippling effects of domestic violence. It's an auspicious start.
