



Titian
His Life and the Golden Age of Venice
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- 20,99 €
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- 20,99 €
Beschreibung des Verlags
The first biography of Venice’s greatest artist since 1877 – a towering work which captures the genius of Titian – and the extraordinary times in which he lived – the apogee of Venice’s power and influence.
Born in the mountains above Venice in the late fifteenth-century, Tiziano Vecellio – or Titian – was the greatest painter of the Italian High Renaissance, an artist whose poetic vision and mastery of oil pigments made him into an international celebrity and continues to inspire working painters to this day. He lived in a Venice that was the most populous, celebrated, and visited city in Europe, painting everything from frescos, grand altarpieces, mythological stories, and portraits that were described by his contemporaries as “mirrors of nature”.
Sheila Hale’s rich and monumental biography of Titian is the first since 1877 to examine all contemporary accounts of Titian’s life and work, and to take into account recent art historical research and scholarship. Her book charts the extraordinary transformation of Titian’s style from the radiant minutely realised masterpieces of his youth, to the more freely painted work of his middle years, to the dark, tragic, sometimes terrifying visions of his old age. Since no one person can do justice to an artist as great, protean and complex as Titian, many different voices – both contemporary and later – have been allowed free reign to explore, praise and sometimes doubt his genius.
When Titian died in Venice in 1576 he was in his late eighties, and had spent the whole of his working life there, travelling as little as possible despite the clamour for his presence at the great courts of Europe.
Sheila Hale’s masterly biography presents Titian through the story of the turbulent century in which he lived, and gives a vivid portrait of how this innovative 16th-century master conveyed in his paintings a kind of truth that few other artists have been able to communicate and which has fascinated Titian’s admirers and followers for centuries.
About the author
Sheila Hale is the author of many books including a guidebook to Venice which prompted Eric Newby to declare she 'deserves a Nobel Prize' and by David Lodge as 'the best guidebook I have ever used'. Venice went into four editions and was translated into seven languages. She has written an architectural history of Verona and has written extensively about Venice and the Veneto for a number of magazines and articles, including the New York Times. She is the widow of the late, great John Hale with whom she worked on Renaissance Venice and the classic The Civilisation of Europe in the Renaissance. She is a trustee of Venice in Peril and her last book, The Man Who Lost His Language was one of the most widely reviewed and highly praised books of 2002. She lives in London.
PUBLISHERS WEEKLY
Drawing upon her experience as research assistant to the celebrated Renaissance historian John Hale (her late husband), Hale frames her first foray into historical scholarship by tracing one artist's life to inform an epic biography of the Most Serene Republic of Venice. Compelling and well-researched, the book follows the career of Titian, an "explorer in paint," whose popularity reaches from the 16th century until today. Vivid descriptions of Renaissance Venice read like a firsthand account of food halls where "caged birds... sang among the fruit and vegetables" and citywide pageants that, "like prostitutes, outclassed and outnumbered" those in other cities. Hale presents Titian as a rural-born homebody who witnessed the intrigue of foreign courts and encountered greats such as Michelangelo, architect Jacopo Sansovino, and baroque painter Tintoretto. If anything gets short shrift, it's the paintings themselves. One is left wondering, for example, why the Annunciation painting in Treviso "doesn't really work." Hale's research benefits from recent cleanings and restorations of Titian's work, but she imparts her own expertise, for instance, in surmising that Titian's son, Orazio, may have been the painter of the portrait of Pietro Bembo in Rome. Fully aware of our need to believe in artistic genius, Hale (The Man Who Lost His Language) successfully utilizes Titian's career as a touchstone for events that carried Venice away from the Middle Ages and into the early modern period. Two 16-page color inserts.