Tough Without a Gun
The Extraordinary Life of Humphrey Bogart
-
- 12,99 €
-
- 12,99 €
Beschreibung des Verlags
A Humphrey Bogart comes along only once in a century: someone who isn't conventionally handsome or particularly versatile, but who can convince an audience that whatever character he's playing is of great importance, because he represents something vital about themselves and their time.
He honed his craft for years in the theatre only becoming a star at the age of 42 as Sam Spade in The Maltese Falcon. In the 16 years that were left to him, he made an indelible mark on movies - such that film-makers as diverse as Woody Allen and Jean-Luc Godard paid homage to him in their films.
At the heart of this biography is Bogey's love affair with the 19-year-old Lauren Bacall, who stole TO HAVE AND HAVE NOT - and his heart - by lolling in a doorway, tossing insolent remarks and teaching him to put his lips together and whistle.
PUBLISHERS WEEKLY
Kanfer, a Time magazine editor who has written biographies of Marlon Brando, Lucille Ball, and Groucho Marx, turns his attention to Humphrey Bogart, whose "outstanding characteristics integrity, stoicism, a sexual charisma accompanied by a cool indifference to women are never out of style when he's on-screen." After a privileged New York childhood as the son of famed illustrator Maud Humphrey, Bogart flunked out of Phillips Andover, joined the Navy near the end of WWI, and entered show business as a stage manager. Kanfer delivers compelling coverage of Bogart's early marriages and 13 years as a New York stage actor, culminating with The Petrified Forest, his 1935 Broadway breakthrough. Casablanca and other film classics are detailed with both illuminating insights and anecdotal accounts of Tinseltown. Raymond Chandler was pleased by the casting of The Big Sleep because, he wrote, "Bogart can be tough without a gun." By the mid-1940s, Bogart was the world's highest paid actor, with a r sum of 19 plays and 53 films. Although Bogart was heard on more than 80 radio broadcasts (even singing) between 1936 and 1954, Kanfer overlooks this medium. Apart from that lapse, the biography stands as an entertaining, definitive portrait, enriched with delightful digressions into Bogie's noirish, rough-hewn persona.
