Uneasy Lies the Crown
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4,0 • 2 Bewertungen
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- 3,99 €
Beschreibung des Verlags
Lady Emily must stop a serial killer whose sights are set on the new king . . .
Lying on her deathbed, Queen Victoria asks to speak privately with trusted royal agent Colin Hargreaves, slipping him a letter with her last command: Une sanz pluis. Sapere aude. 'One and no more. Dare to know.'
The year is 1901 and the death of Britain's longest-reigning monarch has sent all the Empire into mourning. But for Lady Emily and her dashing husband Colin, the grieving is cut short as another royal death takes centre stage. A body has been found in the Tower of London, posed to look like the murdered medieval king Henry VI. And soon after, a second corpse is discovered in London's exclusive Berkeley Square, the mutilated remains staged to evoke the violent demise of Edward II. It becomes evident that the individual behind the crimes plans to kill again and again.
The quest to find the murderer takes Emily deep into the capital's underbelly. But clues leading to the killer are elusive, and even more puzzling are the anonymous letters Colin has been receiving since Victoria's death. Could the killer be targeting her successor, Edward VII?
Praise for Tasha Alexander:
'Tasha Alexander has created Victorian London's most colourful sleuth' Jacqueline Winspear
'Tasha Alexander is one to watch - and read . . . she knows how to construct a compelling plot . . . there's depth and sensitivity which sets her apart' Huffington Post
PUBLISHERS WEEKLY
Bestseller Alexander's engrossing 13th Lady Emily mystery (after 2017's Death in St. Petersburg) opens in 1901 when the dying Queen Victoria hands Colin Hargreaves, Lady Emily's diplomat husband, a cryptic note: "One and no more. Dare to know." The queen's funeral is barely over when Colin and Emily learn of a murder in the Tower of London. The corpse has been posed to resemble Henry VI. Meanwhile, someone is sending Colin on a scavenger hunt with a series of notes left in locations that recall Henry V. When three more bodies show up, all killed in ways that mimic the deaths of English kings, Colin is convinced that it's a warning to the new sovereign, Edward VII, that even a king can be killed. But Emily uncovers a connection between the dead men that suggests the murders are more about vengeance. Providing counterpoint are flashbacks to the 15th century, when Colin's ancestor William fought with Henry V at Agincourt. The two seemingly unrelated plots centuries apart come together in the end in a neat twist. English history lovers will be enthralled.
