Walk the Blue Fields
'Pure magic.' Colm Tóibín
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- 11,99 €
Beschreibung des Verlags
AN IRISH TIMES TOP 100 IRISH BOOKS OF THE 21ST CENTURY
'Exquisite . so intricately wrought, so strange and beguiling as to entirely bewitch.'GUARDIAN
'Pure magic.' COLM TÓIBÍN
'Lyrical, thoughtful, but with a thick, dark strain of melancholy running through.' INDEPENDENT ON SUNDAY
A long-haired woman moves into the priest's house and sets fire to his furniture. That Christmas, the electricity goes out. A forester mortgages his land and goes off to a seaside town looking for a wife. He finds a woman eating alone in the hotel. A farmer wakes half-naked and realises the money is almost gone. And in the title story, a priest waits on the altar for a bride and battles, all that wedding day, with his memories of a love affair. In her long-awaited second collection, Claire Keegan observes an Ireland wrestling with its past.
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Seven foreboding tales from Keegan (Antarctica) examine family, buried secrets and forbidden love in contemporary rural Ireland. In the title story, a priest questions his calling as he performs the wedding ceremony of a girl he once loved; after marrying her off to a lesser man, laments that "two people hardly ever want the same thing at any given point in life." "The Forester's Daughter" follows a tragic chain of events prompted by a woman who agrees to marry against her better instincts "because if she said no, the question might never be asked of her again." The final and strongest story centers on Margaret Flusk, a superstitious woman retreating from a personal tragedy into the farmhouse of her recently deceased cousin, who was a priest, and with whom she shared an abiding love. Word of her mysterious ability to heal soon gets out to the parish, breaking her isolation decisively. The more whimsical narratives fall a little flat (they're also brief), but in the longer, stronger pieces, Keegan's poetic prose, spot-on dialogue and well paced plot twists keep the pages turning through sadness, grief, rage and compromise.
