When I Was You
The utterly addictive psychological thriller about obsession and revenge
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4,0 • 1 Bewertung
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- 3,99 €
Beschreibung des Verlags
'Garza has upped the game . . . You won't want to put this one down' SAMANTHA DOWNING, author of MY LOVELY WIFE
'A compulsive read . . . with a twist you won't want to miss' KAREN CLEVELAND, author of NEED TO KNOW
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Two women. One life. They can't both have it.
Kelly Medina's son left for college a year ago and now she feels totally alone. So when she discovers that a single mother also called Kelly Medina has moved to her town, it's an unexpected reminder of the life she used to live.
For days, Kelly can't stop thinking about the woman who shares her name, who has a baby son she can still hold and her whole life ahead of her. She can't help looking for her: at the grocery store, at the gym, on social media. When they happen to bump into each other outside a pediatrician's office, simple curiosity gets the better of them both.
Their unlikely friendship brings Kelly a renewed sense of purpose. But the relationship quickly turns to obsession, and when one Kelly disappears the other one may know why . . .
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An additive psychological thriller, perfect for fans of You by Caroline Kepnes, The Woman in the Window by A. J. Finn and The Wife Between Us by Sarah Pekkanen & Greer Hendricks.
DON'T MISS AMBER GARZA'S SPINE-TINGLING NEXT THRILLER, WHERE I LEFT HER, OUT NOW
PUBLISHERS WEEKLY
Depressed, lonely Kelly Medina, the principal narrator of this clever psychological thriller from Garza (Play Safe), misses her son, Aaron, who's away at college, and sees little of her emotionally distant professor husband, who prefers to stay near campus instead of their Folsom, Calif., home. One day, Kelly is surprised to receive a call from Aaron's pediatrician about an appointment. When Kelly looks into this mistake, she discovers that the town is home to another Kelly Medina, who has an infant son. Kelly goes out of her way to meet this other Kelly, in whom she develops an unhealthy interest. Believing that the younger woman's son looks remarkably like Aaron at the same age, she sets out to take charge of the baby's upbringing. When the point-of-view shifts to that of the younger Kelly, the plot takes some murderous turns along the way to the unexpected ending. Through the skillful use of the second-person, Garza makes it tantalizingly unclear at times which Kelly is which. Fans of tricky tales of obsession and revenge will be well satisfied.
