Who Would Have Thought It?
My Story of the American Civil War (Autobiographical Novel)
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- 1,99 €
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- 1,99 €
Beschreibung des Verlags
"Who Would Have Thought It?" details the struggles of a Mexican-American girl born in Indian captivity, Lola, in an American society obsessed with class, religion, race and gender. The first part of the book follows the central family in the years leading up to the start of the American Civil War and the attack on Fort Sumter (1857–1861), and flashbacks are meant to take the readers back further than that time line, such as the kidnapping of Lola's mother in 1846. The second part chronicles the events that took place during the Civil War (1861–1864). Each chapter focuses on a particular character and is told from an omniscient point of view. Who Would Have Thought It? is a semi-autobiographical novel written by María Ruiz de Burton and it reflects the author's ambiguous position between the small in number Californio elite and the Anglo-American populace, which form the majority of the United States population.
PUBLISHERS WEEKLY
The insights into class and race in this clever satire set during and after the Civil War give it a thoroughly contemporary feel. It is even more astounding, then, to learn that it was first published in 1872, and that the author was not even a native English speaker. Burton (The Squatter and the Don) was a Baja California native who married a colonel in the Union Army, and here she combines to good effect both solid insider information and her perspective as an outsider. Dr. Norval returns to New England from a trip west carrying more than luggage. While in an Indian camp, Norval rescued a ten-year-old girl, whose mother was a kidnapped Mexican woman desperate to return Lola to the girl's father. Lola is scorned both by the local gentry, who believe she is either black or Indian, and by the doctor's wife--at least until Dr. Norval reveals that she was accompanied by a lot of gold. When word of her wealth gets out, Lola is treated like a lady as the townspeople begin complex plans to get close to her and her money. The details are exquisite. Burton excels at picking names for these supposedly good Christians, from Mrs. Cackle to the Reverends Hackwell and Hammerhard. In short chapters with titles like ``Potations, Plotting and Propriety,'' Burton details the intricate mess of love and proposals--both honest and contrived. A thorough introduction traces specific themes like the novel's precocious portrayal of women entering the public sphere, and footnotes lend helpful historical background. In the end it is the story that counts, though, and this is a fully entertaining read that stands on its own against much of today's fiction.
