Wild Life
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- 7,99 €
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- 7,99 €
Beschreibung des Verlags
In 1905, a cigar-smoking, feminist writer of popular adventure novels for women encounters Bigfoot in Molly Gloss’s best loved novel—“never has there been a more authentic, persuasive, or moving evocation of this elusive legend: a masterpiece” (Kirkus Reviews, starred review).
Set among lava sinkholes and logging camps at the fringe of the Northwest frontier in the early 1900s, Wild Life is the story—both real and imagined—of the free-thinking, cigar-smoking, trouser-wearing Charlotte Bridger Drummond, who pens dime-store women’s adventure stories. One day, when a little girl gets lost in the woods, Charlotte anxiously joins the search. When she becomes lost in the dark and tangled woods, she finds herself face to face with a mysterious band of mountain giants…or more commonly known as Sasquatch.
With great assurance and skill, Molly Gloss blends “heady cerebral satisfactions, gorgeous prose, and page-turning adventure” (Karen Joy Fowler, bestselling author of We Are All Completely Beside Ourselves), and puts a new spin on a classic piece of American folklore.
PUBLISHERS WEEKLY
Gloss twines just enough intellectual fiber around the sleek cord of a great adventure story to offer up a truly satisfying read. Presented as the 1905 journal of the fictional dime novelist Charlotte Bridger Drummond, Gloss's third novel (after The Jump-Off Creek and The Dazzle of Day) tells the tale of a self-avowed feminist and Freethinker and her sojourn in the wilderness of Washington's Cascade mountains. Abandoned by her husband, Charlotte supports her five boys and her housekeeper, Melba, by churning out "romantic tales of girl-heroes who are both brave and desirable." When Melba's granddaughter goes missing in the woods, Charlotte sets out, as would her heroines, to join the search party. But after days of searching, Charlotte finds herself last, for weeks managing to survive only by insinuating herself into a family of "apes or erect bears of immense size." Knowingly, Gloss plays with one of our deepest fearsDlost in the wilderness, will we be saved?Dand the myths that have grown from it. Interleaved between Charlotte's notebook entries are passages she has clipped from journals (e.g., of Samuel Butler, Willa Cather, Oscar Wilde) and excerpts from her published and unpublished fiction. Inserted among these are brief scenesDportraits, reallyDthat could be construed as Charlotte's most serious attempts to write, or as Gloss telling us what Charlotte cannot. While Gloss generates heat and humor from the friction between early 20th-century and early 21st-century attitudes, her prose is most satisfying when she describes Charlotte's housekeeper ironing or Charlotte's patient suitor batting a homemade baseball. Deep into the book, Charlotte describes the "lowbrow scientific romances" she fancies: "y preference is for the writer whose language is gorgeous, whose characters are real as life, and whose stories take my poor little assumptions and give them back to me transformed." Gloss couldn't have written a better description of her own novel: the writing is gorgeous, the characters real and vivid, and the story transforming. FYI: Gloss received a 1996 Whiting Award, as well as the PEN Center West Fiction Prize.
