Yesteryear
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- 10,99 €
Beschreibung des Verlags
'EVERYONE WILL BE TALKING ABOUT THIS BOOK' BELLA MACKIE
'NIGHTMARISH, SHOCKING, BRILLIANT' STYLIST
'THE BOOK THAT WILL BE EVERYWHERE' INDEPENDENT
'INTELLIGENT, INCISIVE, INSANELY READABLE' JENNIE GODFREY
'BOLD, BITING. WILL LEAVE YOU GASPING' NITA PROSE
‘WICKEDLY FUNNY, FRIGHTENINGLY PERCEPTIVE' ABIGAIL DEAN
'My name is Natalie Heller Mills, and I was perfect at being alive…'
Natalie lives a traditional lifestyle – and has the social media accounts to prove it. Her charming farmhouse on her working ranch is artfully cluttered, her husband is a handsome cowboy, her homemade sourdough boules are each more beautiful than the last. So what if there are nannies and producers and industrial-grade ovens behind the scenes? What Natalie’s followers don’t know won’t hurt them.
Then, one morning, Natalie wakes up in a strange, horrible version of reality. Her home, her husband, her children—they’re all familiar, but something’s off. Is this a hoax? A reality show? A test from God? Natalie knows just two things for sure: this isn't her perfect life, and she must escape, by any means possible.
NOW BEING ADAPTED INTO A MAJOR FILM STARRING ANNE HATHAWAY
'INVENTIVE, ADDICTIVE, A WILD RIDE' ASHLEY AUDRAIN
'SHOT THROUGH WITH HUMOUR, LACED WITH DARKNESS' CLARE MACKINTOSH
'THE STEPFORD WIVES MEETS THE HANDMAID'S TALE' HANNAH DEITCH
About the author
Caro Claire Burke received her Master’s in Fine Arts from the Bennington Writing Seminars. She is the co-host of Diabolical Lies, a politics and culture podcast. Yesteryear is her first novel.
PUBLISHERS WEEKLY
A tradwife influencer gets trapped inside the harsh life of an early-19th-century homesteader in Burke's crafty and cutting debut. To her millions of Instagram followers, Natalie Heller Mills is a "flawless Christian woman" leading an idyllic life on the self-sustaining Yesteryear Ranch with her hardworking husband, Caleb, and their five kids. In reality, the family's remote Idaho farm is a money pit, Caleb is an internet-addicted conspiracist, and nannies raise the children while a live-in producer curates Natalie's content, which pays the bills. When Natalie wakes one morning in a rustic facsimile of her home with a family that resembles hers but isn't, it appears that she has traveled back in time to 1805. Is she a kidnapping victim, an unconsenting reality show contestant, or something more bizarre? All she knows for sure is that the bear traps and boredom of the early 19th century might kill her before she finds out ("Tomorrow, I will not have to shit in a rickety old shed outside"). Burke's scathing satire of the conservative media complex unfolds from Natalie's increasingly delusional first-person perspective as the action ping-pongs back and forth in time. Though the big reveal undercuts some of the book's bite, the narrative is plenty riveting. Burke is off to an auspicious start.
