H is for Hawk
Love, loss and the wild: the soaring masterpiece of memoir and nature writing
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4.5 • 2 Ratings
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- 69,00 kr
Publisher Description
Soon to be a Major Motion Picture starring Claire Foy and Brendan Gleeson
The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life.
An instant international bestseller and prize-winning sensation, Helen Macdonald's story of adopting and raising a goshawk has soared into the hearts of millions of readers. Fierce and feral, her goshawk Mabel's temperament mirrors Helen's own state of grief after her father's death, and together raptor and human discover the pain and beauty of being alive.
H Is for Hawk is a genre-defying masterpiece on grief, memory, taming and untaming, and how it might be possible to reconcile death with life and love.
'An absolute classic of nature writing’ Guardian
'It just sings. I couldn't stop reading' Mark Haddon
‘One of the best grief books ever written’ Cariad Lloyd
APPLE BOOKS REVIEW
Crushed by grief for her beloved father, Helen Macdonald undertakes a seemingly unrelated project: to tame a goshawk, a large bird of prey known for its ferociousness. Like her quest, Macdonald’s memoir is breathtakingly original. Alongside stunning descriptions of the natural world and fearless revelations about her emotional state, Macdonald contemplates her affinity for birdwatching and troubled British fantasy writer T. H. White, an amateur falconer. We got goosebumps reading H Is for Hawk, a haunting tribute to the cycle of life and loss.
PUBLISHERS WEEKLY
In this elegant synthesis of memoir and literary sleuthing, an English academic finds that training a young goshawk helps her through her grief over the death of her father. With her three-year fellowship at the University of Cambridge nearly over, Macdonald, a trained falconer, rediscovers a favorite book of her childhood, T.H. White's The Goshawk (1951), in which White, author of The Once and Future King, recounts his mostly failed but illuminating attempts at training a goshawk, one of the most magnificent and deadly raptors. Macdonald secures her own goshawk, which she names Mabel, and the fierce wildness of the young bird soothes her sense of being broken by her father's untimely death. The book moves from White's frustration at training his bird to Macdonald's sure, deliberate efforts to get Mabel to fly to her. She identifies so strongly with her goshawk that she feels at one with the creature. Macdonald writes, "I shared, too, desire to escape to the wild, a desire that can rip away all human softness and leave you stranded in a world of savage, courteous despair." The author plunges into the archaic terminology of falconry and examines its alleged gendered biases; she finds comfort in the "invisibility" of being the trainer, a role she undertook as a child obsessed with watching birds and animals in nature. Macdonald describes in beautiful, thoughtful prose how she comes to terms with death in new and startling ways as a result of her experiences with the goshawk.