- 49,00 kr
The second book in the acclaimed Grant County Series from Karin Slaughter, the New York Times bestselling author of Pieces of Her.
“Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don’t dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today.”
—Tess Gerritsen, author of The Apprentice
In this chilling follow-up to Blindsighted, Sara Linton, her ex-husband, police chief Jeffrey Tolliver, and detective Lena Adams are caught in an evil web involving a young girl who commits suicide by forcing a cop to shoot her. Shouldering the political aftermath, Jeffrey struggles to understand the victim’s desperation. So does Sara, the girl’s pediatrician and now her coroner, who soon discovers that the suicide was linked to a brutal crime—one far more terrifying than anyone could have imagined. Yet neither Jeffrey nor Sara know that their colleague, Lena, may unwittingly harbor the truth as she finds herself drawn to a young man who might hold the answers—and Lena’s future—in his hands.
Aptly named novelist Slaughter (Blindsighted) brings back her horribly scarred cast of Grant County, Ga., cops and coroners for more murder, mayhem and horrific sexual violence. Pathologist Sara Linton, who has been dating her ex-husband, police chief Jeffrey Tolliver, is witness to Tolliver's fatal shooting of a teenage girl when the girl threatens to shoot a 16-year-old boy in a standoff outside the local skating rink. A search of the rink turns up a dismembered fetus in a toilet; Sara's postmortem reveals the girl had a long history of abuse most gruesomely, her vagina is sewn shut. Working the case alongside Jeffrey is Det. Lena Adams, herself the victim of a recent abduction and rape, who is also trying, with difficulty, to come to terms with the death of her gay sister. Questioning Mark, the boy who was almost shot, Lena gradually uncovers a true horror show of pedophilia, incest and kiddie porn, an inverted world where parents rape their children before peddling them to strangers for money and blackmail. Slaughter adheres to the traditional mystery format, but turns up the shock factor tenfold, demonstrating that the deepest depravity can be business as usual in small towns as well as big cities. The undertone of violence is pervasive, even at quiet moments ("Lena was able to pull her hand away, but not before she felt Grace's thumb brush across the scar.... The touch was tender, almost sexual, and Lena could see the charge Grace got out of it"), amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs.