Old Filth
Shortlisted for the Women's Prize for Fiction
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- 45,00 kr
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- 45,00 kr
Publisher Description
Jane Gardam's funny and wise masterpiece, reissued with a new introduction by Nina Stibbe
'Old Filth has stayed with me for years'
SATHNAM SANGHERA
'Sharp, humane, generous and wonderfully funny'
HILARY MANTEL
'The last great book I read'
RACHEL WEISZ
'Gardam's masterpiece'
GUARDIAN
Filth, in his heydey, was an international lawyer with a practice in the Far East. Now, only the oldest QCs can remember that his nickname stood for Failed In London Try Hong Kong. Long ago, Old Filth was a Raj orphan - one of the many young children sent 'Home' from the East to be fostered and educated in England. Jane Gardam's novel tells his story, from his birth in what was then Malaya to the extremities of his old age. In doing so, she not only encapsulates a whole period from the glory days of the British Empire, through the Second World War, to the present and beyond, but also illuminates the complexities of the character known variously as Eddie, the Judge, Fevvers, Filth, Master of the Inner Temple, Teddy and Sir Edward Feathers.
PUBLISHERS WEEKLY
British novelist Gardam has twice won the Whitbread and was shortlisted for the Man Booker. This, her 15th novel, was shortlisted in Britain for the Orange Prize; it outlines 20th-century British history through the life of Sir Edward Feathers, a barrister whose acronymic nickname provides the title: "Failed in London, Try Hong Kong." At nearly 80, Feathers, retired in Dorset after many years as a respected Hong Kong judge, is a hollow man with few real friends and a cold, sexless marriage that has just ended with the death of his wife, Betty. For the first time, "Filth" (as even Betty called him) delves into the past that produced him: a "Raj orphan" raised by a series of surrogates while his father worked in Singapore, Filth served briefly in WWII (guarding the Queen) and had a lackluster stint as a London barrister before emigrating. The flashbacks contrast British privilege and the chaos that ensues when the empire (especially Filth's childhood Malaya), starts to crumble. As Filth undertakes chaotic visits to his Welsh foster home and other sites, Gardam's sharp, acerbic style counterpoints Feathers's dryness. Well-rounded secondary figures further highlight his emptiness and that of empire.
