Spelunking with Ray Bradbury: The Allegory of the Cave in Fahrenheit 451 (Critical Essay) Spelunking with Ray Bradbury: The Allegory of the Cave in Fahrenheit 451 (Critical Essay)

Spelunking with Ray Bradbury: The Allegory of the Cave in Fahrenheit 451 (Critical Essay‪)‬

Extrapolation 2004, Winter, 45, 4

    • 22,00 kr
    • 22,00 kr

Publisher Description

According to Holtsmark, "for reasons of plot, character, and allusion, among others, myth is a central feature of ancient Greek literature, [and] it has appeared tacitly axiomatic from the time of antiquity that myth informs most narrative literature" (2001, 24). Greek authors turned to myth "at those crucial points at which pure reason seem[ed] unable to advance further" (Kirk 1970, 259). Foremost among the mythic themes in Greek literature is the word katabasis, which "literally means 'a going down, a descent,' capturing the imagined physical orientation of the other world relative to this one" (Holtsmark 25). Obvious manifestations of this theme can be found in the Homeric journeys of the Odyssey (1996) and the Iliad (1991). In both books, Homer utilizes physical caves to accent the literary descent. Although he rejected certain literary applications of myth, especially among the poets, Plato "reasserted the role of myth in his own practice" (Kirk 1970, 250). In particular, Plato asserted the role of myth in the dialogue of the Republic when "reason seemed unable to advance further." The katabasis tradition is introduced into the Republic at the beginning of Book VII when Socrates asks Glaucon to "make an image of our nature in its education and want of education, likening it to a condition of the following kind. See human beings as though they were in an underground cave-like dwelling" (1968, 514a). This passage is the opening line of Plato's Allegory of the Cave. With little question, scholars agree that the Allegory "is the keystone of the dialogue" (Sandoz 1971, 62). The textual relevance of the Allegory for Ray Bradbury's Fahrenheit 451 is obvious in Montag's hope that "[m]aybe the books can get us half out of the cave" (1953, 74). Perhaps less obvious, the following analysis demonstrates that Plato's Allegory is the central metaphor for the novel. More specifically, the Allegory provides a template by which Bradbury's characters can be analyzed and distinguished.

GENRE
Professional & Technical
RELEASED
2004
22 December
LANGUAGE
EN
English
LENGTH
18
Pages
PUBLISHER
Extrapolation
SIZE
190.7
KB

More Books by Extrapolation

Technicity: Al and Cyborg Ethnicity in the Matrix (Critical Essay) Technicity: Al and Cyborg Ethnicity in the Matrix (Critical Essay)
2004
Fractal Fantasies of Transformation: William Blake, Michael Moorcock, And the Utilities of Mythographic Shamanism (Critical Essay) Fractal Fantasies of Transformation: William Blake, Michael Moorcock, And the Utilities of Mythographic Shamanism (Critical Essay)
2004
He "Just Plain Liked Guns": Robert A. Heinlein and the "Older Orthodoxy" of an Armed Citizenry (Critical Essay) He "Just Plain Liked Guns": Robert A. Heinlein and the "Older Orthodoxy" of an Armed Citizenry (Critical Essay)
2004
The Player Piano and Musico-Cybernetic Science Fiction Between the 1950S and the 1980S: Kurt Vonnegut and Philip K. Dick (Critical Essay) The Player Piano and Musico-Cybernetic Science Fiction Between the 1950S and the 1980S: Kurt Vonnegut and Philip K. Dick (Critical Essay)
2004
The Order of Martha of Bethany (Anthony Boucher) (Critical Essay) The Order of Martha of Bethany (Anthony Boucher) (Critical Essay)
2004
Hoaxing Hemingway: Ernest Hemingway As Character and Presence in Joe Haldeman's the Hemingway Hoax (1990) (Critical Essay) Hoaxing Hemingway: Ernest Hemingway As Character and Presence in Joe Haldeman's the Hemingway Hoax (1990) (Critical Essay)
2004