Stet
An Editor's Life
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- 89,00 kr
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- 89,00 kr
Publisher Description
A New York Times Notable Book: This memoir of a career in book publishing "should please anyone who cares about twentieth-century literature" (The Washington Post Book World).
For nearly five decades, Diana Athill edited (nursed, coerced, coaxed) some of the most celebrated writers in the English language, among them V. S. Naipaul, Philip Roth, John Updike, Jean Rhys, Mordecai Richler, Molly Keane, and Norman Mailer. A founding editor of the prestigious publishing house André Deutsch Ltd., Athill takes us on a guided tour through the corridors of literary London, offering a keenly observed, devilishly funny, and always compassionate insider's portrait of the glories and pitfalls of making books—spiced with candid insights about the type of people who make brilliant writers and ingenious publishers, and the idiosyncrasies of both. It is both "wryly humorous" (The New York Times Book Review) and "full of history, wisdom, and dirt" (The Boston Globe).
"This is not literary life as we know it today—huge advances, showbiz and vast conglomerates—but the world of small literary houses . . . An enveloping blast of nostalgia: read and marvel at what we (all of us) are missing." —Marie Claire
"A beautifully written, hard-headed, and generally insightful look back at the heyday of post-war London publishing by a woman who was at its center for nearly half a century." —The Washington Times
"Witty and astute . . . The literarily curious will find [her] portraits of leading contemporary authors irresistible." —Publishers Weekly
PUBLISHERS WEEKLY
For nearly 50 years, Athill edited some of the best minds of the postwar generation, including Molly Keane, Jack Kerouac, Norman Mailer, Brian Moore, V.S. Naipaul, Jean Rhys, Mordecai Richler, Philip Roth, Gitta Sereny and John Updike. A founding director of the now-defunct London publishing house Andre Deutsch Ltd., Athill "intervened" with legendary taste and self-restraint, earning her the loyalty, and sometimes the friendship, of her frequently tetchy, fragile authors ("Writers don't encounter really attentive readers as often as you might expect, and find them balm to their twitchy nerves when they do; which gives their editors a good start with them"). Athill, now an exuberant 83, looks back on her half-century in the business, beginning with her wartime fling with Hungarian ex-pat Andre Deutsch. The affair was brief, but the relationship flourished, as the two founded first Allan Wingate (which "pounced" to publish The Naked and the Dead) and then, in 1952, the house that bore both Deutsch's name and the stamp of his ego. Dealing with his temper and self-indulgence prepared Athill for playing "nanny" to a series of difficult writers, chief among them the "ugly drunk" Rhys; Morris Chester, an all-but-forgotten surrealist novelist plagued by "voices"; and Naipaul, whom Athill categorizes as the petulant and depressive. Cheerfully self-effacing as editor and friend, Athill offers few details of her personal life. But on the subject of her workplace and the "Interesting People" she met there, she is unfailingly candid, generous, witty and astute, an eyewitness with a famously discerning eye.
