Stranger on a Train
Daydreaming and Smoking Around America with Interruptions
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- 79,00 kr
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- 79,00 kr
Publisher Description
The book about America de Tocqueville might have written had he spent some time in the nation's smoking sections
Using two cross-country trips on Amtrak as her narrative vehicles, British writer Jenny Diski connects the humming rails taking her into the heart of America with the track-like scars leading back to her own past. As she did in the highly acclaimed Skating to Antarctica, Diski has created a seamless and seemingly effortless amalgam of reflection and revelation. Stranger on a Train is a combination of travelogue and memoir, a penetrating portrait of America and Americans that is at the same time an unsparing look in the mirror. Traveling and remembering both involve confronting strangers—those we have just met and those we once were—and acknowledging the play of proximity and separation. Diski has written a moving, courageous, and deeply rewarding book about who we are, and the landscapes through which we have passed to get there.
PUBLISHERS WEEKLY
"I am not a travel writer in any reasonable sense of the word," Diski confesses. "I do not feel compelled to bring the world to people, or meet interesting characters, or enlarge my circle of acquaintance. I just want to drift in the actual landscape of my destination." Despite the disclaimer, the British novelist (Only Human) does all of the above in this eloquent exploration of the psyche America's and her own. The work is divided into two parts. Journey One begins aboard a transatlantic cargo ship where Diski is among a handful of passengers en route to Savannah, Ga. From there, she takes Amtrak to Arizona. Journey Two takes place a year later as Diski circumnavigates the U.S. from New York's Penn Station to Portland, Ore., and back, stopping in the suburbs of Albuquerque to stay in the backyard trailer of a friend from the first sojourn. As in the Hitchcock thriller of (almost) the same title, strangers whom Diski befriends in the smoking sections, or "sin bins," of the trains divulge the details of their lives; Diski, however, plays it close to the vest, sharing intimacies with readers only about her difficult childhood, struggles with substance abuse and more. "I became remarkably unhappy at having been chosen to survive," she recollects after her first trip, comparing the experience of saying goodbye to her travel mates to leaving the psych ward of England's Lady Chichester Hospital at age 14. As she did in Skating to Antarctica: A Journey to the End of the World (1998), Diski again blurs the borders between traditional travelogue and memoir to create a transcendent work.
