Crime Beat
A Decade of Covering Cops and Killers
-
- USD 12.99
-
- USD 12.99
Descripción editorial
From #1 bestseller Michael Connelly's first career as a prizewinning crime reporter--the gripping, true stories that inspired and informed his novels.
Before he became a novelist, Michael Connelly was a crime reporter, covering the detectives who worked the homicide beat in Florida and Los Angeles.
In vivid, hard-hitting articles, Connelly leads the reader past the yellow police tape as he follows the investigators, the victims, their families and friends--and, of course, the killers--to tell the real stories of murder and its aftermath.
Connelly's firsthand observations would lend inspiration to his novels, from The Black Echo, which was drawn from a real-life bank heist, to Trunk Music, based on an unsolved case of a man found in the trunk of his Rolls Royce. And the vital details of his best-known characters, both heroes and villains, would be drawn from the cops and killers he reported on: from loner detective Harry Bosch to the manipulative serial killer the Poet.
Stranger than fiction and every bit as gripping, these pieces show once again that Michael Connelly is not only a master of his craft, but also one of the great American writers in any form.
PUBLISHERS WEEKLY
The many fans of perennially bestselling mystery author Connelly will certainly lap up this collection of his articles written during his former life as a crime journalist in Florida and California. In three sections, "The Cops," "The Killers" and "The Cases," Connelly presents a wide variety of stories from the 1980s and early '90s, ranging from local crimes to national sensations such as the serial killer Christopher Wilder, one of the FBI's Most Wanted. With Wilder, for instance, readers watch Connelly build a portrait of a man who gained access to women in the Florida modeling and fashion scene by posing as a professional photographer with "cunning charm, smooth talk and money." Connelly tells tales of double lives, failures of the criminal justice system and the shooting death of a 245-pound L.A. prostitute. The format of the book may disappoint some, as the inclusion of multiple reports about the same crimes often contain repetitive language. The author is strongest bringing quiet moments to life, such as the despair of parents hoping that a missing child will still turn up, or the patient, resigned professionalism of weary detectives. Devotees of Connelly's fiction will enjoy tracing the real-life roots of some of his plots.
