Had a Good Time
Stories from American Postcards
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- USD 14.99
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- USD 14.99
Descripción editorial
"Gloriously imaginative and utterly hypnotizing short stories" inspired by vintage twentieth-century postcards, from a Pulitzer Prize-winning author (Booklist, starred review).
For many years, author Robert Olen Butler has collected picture postcards from the early twentieth century—not so much for the pictures on the fronts but for the messages written on the backs, little bits of the captured souls of people long since passed away. Using these brief messages of real people from another age, Butler here creates fully imagined stories that speak to the universal human condition.
In "Up by Heart," a Tennessee miner is called upon to become a preacher, and then asked to complete an altogether more sinister task. In "The Ironworkers' Hayride," a young man named Milton embarks on a romantic adventure with a girl with a wooden leg. From the deeply moving "Carl and I," in which a young wife writes a postcard in reply to a card from her husband who is dying of tuberculosis, to the eerily familiar "The One in White," in which a newspaper reporter covers an incident of American military adventurism in a foreign land, these short stories are intimate and fascinating glimpses into the lives of ordinary people in an extraordinary age.
"A wonderful collection."—The Atlantic Monthly
PUBLISHERS WEEKLY
A starred review indicates a book of outstanding quality. A review with a blue-tinted title indicates a book of unusual commercial interest that hasn't received a starred or boxed review.HAD A GOOD TIME: Stories from American PostcardsRobert Olen Butler. Grove, $23 (267p) After years of collecting early 20th-century postcards, Pulitzer Prize winning author Butler (A Good Scent from a Strange Mountain) takes 15 choice missives as inspiration for his latest volume of short stories an ambitious writing exercise that even in his assured hands yields mixed results. The stories range in tone and substance, from the humor of "The Ironworkers' Hayride," in which a man lusts for a sassy suffragette despite her wooden leg ("her mouth is a sweet painted butterfly"), to the melancholy of "Carl and I," about a woman who pines for her consumptive husband ("I breathe myself into my husband's life"). A few stories amount to little more than vignettes or reveries: in "No Chord of Music," a woman takes her husband's car for an empowering ride, and in "Sunday," an immigrant at Coney Island feels blessed to be in America. Other postcards trigger more fully realized stories. "Hurshel said he had the bible up by heart and was fixing to go preaching," reads the card Butler takes as his cue for "Up by Heart," a funny tale that addresses questions of faith and fundamentalism. "My dear gallie... am hugging my saddle horse. Best thing I have found in S.D. to hug," wrote a woman named Abba, inspiring Butler's poignant "Christmas 1910," which evokes the loneliness of a young woman homesteading on the Great Plains. Though many stories are as slight as the postcards themselves, the collection as a whole adds up to a thoughtful commentary on America at the dawn of a new century: while some Americans were buoyed by their confidence in technology and progress, others, at the mercy of a disease-ridden, hardscrabble existence, could trust only in their faith in God.
