Hamlet in Purgatory
Expanded Edition
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- USD 14.99
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- USD 14.99
Publisher Description
In Hamlet in Purgatory, renowned literary scholar Stephen Greenblatt delves into his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet.
In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "prison house of souls" had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition.
With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost.
This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers.
This expanded Princeton Classics edition includes a new preface by the author.
PUBLISHERS WEEKLY
Greenblatt has made a name for himself both as a preeminent Shakespeare scholar and as one of the founders of the "New Historicist" approach to literary criticism. Central to his approach is the notion that not only does history affect literature, but literature itself informs history, a claim its critics have generally either pursued without conviction or nervously sought to evade. Greenblatt's newest work is a fine example of his method's considerable appeal; what could be a narrow treatise on the theme of purgatory in Hamlet rapidly unfolds into an absorbing investigation of religious persecution, spectral haunting and the memory of the dead. Purgatory, Greenblatt contends, occupied the center of theological warfare in Shakespeare's time, derided by Protestants as a cynical source of papal revenue (from pardons and indulgences), a baroque work of the Catholic imagination and a "poet's fable." Pursuing the purgatorial mind-set through its visual and textual incarnations, Greenblatt finds its suppressed traces in the form of medieval and Elizabethan ghost stories, theatrical works and dreams His increasingly occult investigation culminates in a compelling portrait of Shakespeare's Hamlet as a political, psychological, spiritual animal haunted by the ghost of his father and bearing a secret authorial agenda. Greenblatt's fascination with ghostly texts is contagious, and he is virtually unequaled among literary critics as a prose stylist. Though the book occasionally labors under the weight of its own evidence, it greatly succeeds in bringing alive the powerful complex of fear and longing Shakespeare so deftly deployed. Required reading for those who study Shakespeare, this graceful analysis should also give considerable pleasure to those who merely enjoy him. 8 color, 10 b&w illus.
