Lumen
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- USD 2.99
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- USD 2.99
Descripción editorial
Polonia, invierno de 1939, el país sufre la ocupación de la Alemania nazi. La madre Kazimierza, abadesa de un convento de Cracovia, aparece muerta de un disparo en el claustro. Una muerte inoportuna que puede acarrear graves consecuencias dada su gran popularidad entre los polacos por sus dones proféticos.
Se hace cargo del caso el capitán Martin Bora, del servicio de información militar alemán, al que se le une en las pesquisas el padre John Malecki, un jesuita de Chicago de origen polaco, enviado por el Vaticano para investigar los milagros de la madre Kazimierza. Entre ambos se establece una difícil relación en la que se entrecruzan el espíritu de la colaboración con el antagonismo.
¿A quién podía molestar las profecías de la madre Kazimierza? ¿Afectaban al futuro del Reich? ¿Apoyaba a la resistencia polaca? ¿Qué papel juega en el caso la actriz Ewa Kowalska, una mujer que no deja indiferente a un Bora alejado en esos momentos de su esposa?
Enfrentado con el horror y el comportamiento asesino de sus compañeros de armas, el capitán Bora se debate entre el sentido del deber y sus fuertes convicciones éticas. Lo que le lleva a apreciar las no siempre fáciles discusiones con el padre Malecki sobre el bien y el mal.
Intriga política, thriller psicológico y enigmas religiosos se unen en "Lumen", una nueva aventura del capitán Martin Bora en los agitados años de la Segunda Guerra Mundial.
PUBLISHERS WEEKLY
Mixing elements of a psychological thriller and an existential meditation, Pastor's debut follows a German army captain and a Chicago priest as they investigate the death of a nun in Nazi-occupied Poland. Mother Kazimierza's alleged power to see the future has brought her a devoted following; her motto, "Lumen Christi Adiuva Nos" ("light of Christ, succor us"), gives the novel its title. In October 1939, Captain Martin Bora discovers the abbess shot dead in her convent garden. Father Malecki has come to Cracow at the pope's bidding, to investigate Mother Kazimierza's powers. Now the Vatican orders him to stay and assist in the inquiry into her killing. Meanwhile, the Germans are consolidating their hold on their Polish territory, dispossessing farmers, beating civilians and forcing Jews into labor gangs. Though stunned by the violence of the occupation and by the ideology of his colleagues, Bora never deviates from his Prussian duty. After three months, two suicides, much detective work and some speculation about Catholicism and faith, choice and chance, good and evil, Bora and Malecki discover the true story of the abbess's death, which implicates Bora's fellow army officers. Pastor's examination of Bora and his colleagues illuminates the many contradictions of life in the service of a criminal state. The narrative's explications of Catholic belief and theology defy readers to reconcile faith, or inner light (lumen) of any kind, with the realities of the Nazi regime. Pastor's plot is well crafted, her prose sharp, but her novel is meant to be more than light entertainment. She raises again the questions recently posed by Bernhard Schlink's The Reader: how can art explore the human side of a victimizer without seeming to forgive the unforgivable? Pastor's disturbing mix of detection and reflection is a provocative though not definitive answer.
