The Forty Rules of Love
A Novel of Rumi
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- USD 10.99
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- USD 10.99
Descripción editorial
In this lyrical, exuberant tale, acclaimed Turkish author Elif Shafak, author of The Island of Missing Trees (a Reese's Book Club Pick), incarnates Rumi's timeless message of love
Ella Rubenstein is forty years old and unhappily married when she takes a job as a reader for a literary agent. Her first assignment is to read and report on Sweet Blasphemy, a novel written by a man named Aziz Zahara.
Ella is mesmerized by Zahara's tale of Shams of Tabriz's search for Rumi and the dervish's role in transforming the successful but unhappy cleric into a committed mystic, passionate poet, and advocate of love. She is also taken with Shams's lessons, or rules, that offer insight into an ancient philosophy based on the unity of all people and religions, and the presence of love in each and every one of us. As she reads on, she realizes that Rumi's story mirrors her own and that Zahara—like Shams—has come to set her free.
The Forty Rules of Love unfolds two tantalizing parallel narratives—one contemporary and the other set in the thirteenth century, when Rumi encountered his spiritual mentor, Shams, the whirling dervish—that together explore the enduring power of Rumi's work.
PUBLISHERS WEEKLY
Celebrated Turkish novelist Shafak (The Bastard of Istanbul) serves up a curious blend of mediocre hen lit and epic historical to underwhelming results. In present-day Boston, dull suburban mother and cheated-on wife Ella Rubinstein takes a job as a reader for a literary agent and becomes entranced by Aziz Zahara, the author of a manuscript about the relationship between 13th-century poet Rumi and Sufi mystic Shams that, for better or for worse, becomes a story-within-a-story. Aziz and Ella strike up an e-mail relationship, largely made up of Ella's midlife crisis and Aziz's philosophical replies. Meanwhile, Aziz's novel, Sweet Blasphemy, is occasionally interesting but mostly dull, weighed down by Rufi's and Shams's theological musings. Its better moments concern tangential characters; Rumi's son, Aladdin, who is resentful of his father's closeness to the mystic, and Rumi's adopted daughter, Kimya, whose doomed marriage to Shams is touching in a way Ella's failed relationship with her husband never manages. The rumblings against Shams reach a peak, and Ella and Aziz finally meet, tying the story lines together into a readable, if not enthralling, tale.
