Bertram Cope's Year
Gay Classic
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- USD 1.99
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- USD 1.99
Descripción editorial
The story is set in the present on the campus of a university in fictional Churchton, Illinois, modeled on Northwestern University in Evanston, Illinois, where Bertram Cope, an attractive young English instructor, is spending a year completing his thesis. While he has a certain sophistication, he is socially unaware, easily impressed by the wealthy and their comforts. Lacking confidence, Cope is too careful and self-conscious as he tries to find his place in local society. Cope's primary emotional attachment is to his college chum Arthur Lemoyne, who comes to live with him. Will Arthur and Bertram ever re-unite? What all has fate in store for Bertram?
PUBLISHERS WEEKLY
After New York publishing houses rejected the manuscript, probably on the grounds of its homosexual subtext, Fuller self-published this novel in 1919 to a devastating silence broken mainly by negative reviews. Although Edmund Wilson would later call it one of the best novels of its time, it has not been republished until now. The bittersweet core of the narrative, discreetly implied, is the homosexuality of its hero, Edmund Cope, a young professor who arrives at the Evanston, Ill.-based town of Churchton and is taken in by a society of genteel Midwestern eccentrics, including a widowed socialite, an aging bachelor who dreams of surrounding himself with entertaining young men and three young women who scheme for Cope's attention. Meanwhile, the self-centered, oblivious Cope writes letters to his absent friend, Arthur Lemoyne, and finally encourages Lemoyne to join him in Churchton. With a prose style as correct and detached as his protagonist, Fuller describes a series of seriocomic misunderstandings, including Cope's accidental marriage engagement, and flamboyant Lemoyne's banishment from the university after making a public romantic gesture toward a male cast member in a college drama. An amusing entertainment in its own right, this novel is also an important discovery for the gay literary canon, particularly (as essayist Andrew Solomon points out in his afterword) for its rare portrayal of day-to-day gay domestic life.
