Carpenter's Pencil
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- USD 12.99
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- USD 12.99
Descripción editorial
It is the summer of 1936, the early months of the agonising civil war that engulfs Spain and shakes the rest of the world. In a prison in the pilgrim city of Santiago de Compostela, an artist sketches the famous porch of the cathedral, the Portico da Gloria. He uses a carpenter's pencil. But instead of reproducing the sculptured faces of the prophets and elders, he draws the faces of his fellow Republican prisoners.
Many years later in post-Franco Spain, a survivor of that period, Doctor Daniel da Barca, returns from exile to his native Galicia, and the threads of past memories begin to be woven together. This poetic and moving novel conveys the horror and savagery of the tragedy that divided Spain, and the experiences of the men and women who lived through it. Yet in the process, it also relates one of the most beautiful love stories imaginable.
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Dr. Daniel Da Barca is a Republican hero of the Spanish Civil War, an almost folkloric figure at the center of this lyrical though frequently impenetrable import. His story is related, in the spirit of Cervantes's Exemplary Tales, in a bar, by a Galician brothel keeper to a favorite whore. Da Barca's politics and philosophy stem from what his teacher, Dr. N voa Santos, calls "the theory of intelligent reality" that irony and lyricism are organic parts of the human condition. Even before Franco's uprising, Da Barca's movements were tracked by a soldier named Herbal a man who conceals his moral susceptibility beneath a shell of brutality. In the first days of the war, Da Barca, along with other Republican notables, is imprisoned in Santiago. One of his fellow prisoners is a painter who is taken out and killed by a group including Herbal. On the way back, Herbal, who has picked up the carpenter's pencil that the painter had been using in prison, hears a voice in his head it is the voice of the deceased, who makes Herbal into the unwilling vessel of Da Barca's salvation. Twice Da Barca is taken out to be shot, and twice he is saved by Herbal, who later arranges for the doctor's transfer from the harsh prison at Coru a to the less rigorous camp at Porta Coeli, from which he manages to direct a Republican resistance group. Although Rivas's (Butterfly's Tongue) highly charged language is sometimes excessive and the narrative convoluted, his instinctive balancing of Da Barca's heroism against Herbal's brutish plebian consciousness creates a work of endearing nobility that will reward the patience of what is likely to be a very small American audience.
