Gillyflower

Boston, 1984. Even in a world without cell phones, messages come through loud and clear if one is listening. When thirty-something Nora Forrest travels to Manhattan to see a Broadway play starring her idol, an aging Irish actor named Hugh Sheenan, she doesn’t know whether what happens in the theater that night should be credited to witchcraft, extrasensory perception, synchronicity, or simple accident—and she knows that many people would tell her nothing had happened at all.








Told through the voices of four people, Gillyflower is a story about intersections and connections—real, imaginary, seized, and eluded. It’s a book about everyday magic, crystalline memory, and the details that flow through time and space like an electrified mist. It’s a detective story, a love story, and a coming-of-age story—for the never really young and for the almost old.